#i might actually really like this character

[celestiamour]

‧₊˚✧ ❛[ me & my husband ]❜

ft. the salesman (gong ji-cheol) x f! reader — squid game

╰₊✧ you don’t need your husband to be perfect, you just want him to be honest┊3.3k words

contains: written before s2 came out!! probably ooc or inaccurate, angst with spots of fluff & a bittersweet ending? reader’s pov mostly, suspicions of cheating, lack of communication, mentioned age gap, random inaccurate lore for the salesman

➤ author's note: yeah, i saw the sudden uptick in notes on that gong yoo post i made and realized season 2 came out which i completely forgot about. i intend to watch it soon as possible and write fics for it as well as (probably) add new characters to my writing list, but for now, please be content with this!!

₊˚ʚ 💌₊˚✧ this fic was heavily inspired by “emotionally intoxicated” by aurasaurora!

gong ji-cheol is the poster image for the ideal husband. he’s always been like that from the moment you met him, and you can’t help but feel like you’re the luckiest woman in the world when he calls himself yours. he’s tall and handsome, someone who catches everyone’s eye despite his only being focused on you. he’s wealthy and hard-working, able to call a luxurious mansion your home, and willing to buy you anything your heart desires as long as you ask for it. he spoils you rotten with that money, gifting you expensive things even if you didn’t ask if it reminded him of you. he’s doting, always sure to smother you in affection with kisses and cuddles whenever together to make it known how much he adores you. the sex is great too, he makes you feel wanted and desirable without ever leaving you unsatisfied. 

most importantly though, you love him, and he loves you. the last two years of marriage have been so blissful, and there isn’t a single thing you would change.

at least that’s what you believe most of the time.

you like to think you know a lot about him, and in a way, you do. you know his favorite color, how he likes his coffee, what he usually orders at restaurants, the type of wine he prefers over beer, the exaggerated shocked fasces he likes to make, how his favorite chore is folding the laundry, how his least favorite is doing the dishes because he doesn’t like getting his hands dirty, the name of his childhood pet, what positions he likes to cuddle or fuck in, the names he’s thinking of giving to your child when they are finally born— there are so many little details you know about him, yet at times you feel like you don't know anything at all.

you don’t really know much about his childhood aside from a few random stories, he claims there’s nothing really notable and that it was as standard as can be. you don’t know who his parents were or what they were like because he said they died when he was young, but surely that’s an important loss which must have impacted him and made youth difficult in some way? you don’t know about his past partners if he even had any, but you doubt you were his first as he was yours with a face like his. you don’t know any of his secrets, like an embarrassing moment or something sinful he might have committed in the past. 

he knew all of these things about you and the little details of your life, so why don’t you know any of the most basic things regarding your own husband?

these periods of uncertainty are few and far, but once the icy tendrils of doubt creep in, it’s difficult to shake them off when you realize you only know these things through observations and not him actually telling you. it’s a miracle your stupidity allowed you to make it this far in falling head over heels for him, getting married, and carrying his child (not that you completely regret it, you still love him, but you wish you had given it more time).

they say there are no such things as stupid questions, yet the main question you have is exactly that as it’s something every wife should know even before the marriage. it would be impressive how long you’ve been clueless about this matter if it weren’t for how often and how skilled he is in managing to evade your curiosity and steer the conversation elsewhere. you didn’t want to press on it since he seems to shut it down every time the topic is brought up and you don’t want to fight over something you technically didn’t need to know, but it weighs on you and presses into your chest with the knowledge you were being kept in the dark. 

what did your husband do for a living, exactly?

his schedule is always unpredictably changing with little rhyme or reason and it confuses you. sometimes you’ll go an entire few days without seeing him, sensing him wake up in the morning before the sun is even up, feeling him kiss you on the cheek before getting ready, and not coming back until long after you fall asleep with no communication aside from a note on the table telling you he’ll be gone for the day along with a wad of cash for you to treat yourself while he’s gone. other times he’ll be chilling at home for an entire week, waking you up with aggressive cuddles (or morning sex), making you breakfast with the morning news on in the background, and taking you out to wherever you want to go on his card in his rare casual clothing and messy wavy hair rather than the typical fancy suits and hair styled with gel. 

as far as you’re concerned, he’s a businessman of sorts, although you don’t know what company he works for or what position he has in terms of hierarchy or how an occupation of that type allows such flexibility in hours or anything at all. 

“what if he’s having an affair?”

you paused for a second before continuing the motion of slicing the cheesecake with a fork and savoring the taste in your mouth. “that’s ridiculous,” you stated simply after swallowing. “he loves me very much, and it doesn’t explain his weird schedule either.”

today was spent with some friends you met back in high school, but honestly, you were only attending out of politeness and tradition since you honestly feel like you’ve disconnected from these girls long before the current. still, you treasure the memories shared in your more formative years and wouldn’t ever say no to them if they wanted to hang out like old times. ji-cheol doesn’t bother to hide his distaste for them, calling them a miserable lot who try to drag you down at every opportunity out of jealousy for your happiness. you laugh it off, but you know deep down he’s right and yet you’re still sitting here at the cafe with them with bright smiles like their words don’t cut deep. 

“maybe he’s dating the boss— a sexy office siren type— she gives him plenty of days off and he stays with her at her beach house at jeju island or something to keep her company, and then she gives him lots of money in exchange.”

“oh my god, could you imagine?”

“can you be realistic? it sounds like you’re just writing a plot for a new drama,” you giggled, not allowing the feeling of a twisting blade in your abdomen to show on your face or the venom to drip from your words at the mere thought of the man you loved being stolen away a faceless woman who was everything you wished you were more of: more beautiful, more wealthy, more experienced, more intelligent—

“you don’t know because he’s your first love or whatever— and you’re so lucky to have been able to marry him— but men are dogs, and i don’t see why he would be the exception.”

“but he treats me so well—”

“maybe he only treats you well because you’re pregnant— he probably just feels guilty. i mean, when i was pregnant and had my first, my husband wasn’t attracted to me anymore and demanded a divorce unless i lost the baby weight.” she shrugged like it was so simple, so common, like the notion of marriage wasn’t something so deeply important and could be thrown away so easily.

“we aren’t suggesting you get a divorce, but we’re just saying you should keep an eye on him— you know? a handsome guy like him was always bound to get a lot of attention…” her laugh was shrill and high-pitched, making goosebumps erupt on your skin.

“right… thanks guys…”

that night, you couldn’t stop twisting and turning on the large sectional couch with thoughts rushing through your head of your husband with some other woman. the jealousy from these fictional scenarios without evidence of existence plagued you. it made you want to vomit up the negative feelings and go back to the person you were a few hours ago without the images of him cheating planted in your mind, which didn’t go unnoticed by him and caused him to ask what was bothering you as it wouldn't be good for the baby.

you hesitated for a moment, “could you tell me about your exes?”

“why are you suddenly curious about that?” he chuckled, knowing damn well that it was because of those stupid snakes masquerading as people (it truly takes one to know one) running their mouths again, but still feigning obliviousness for your sake. 

“just wondering,” you muttered. “i mean, you’re the first person i’ve fallen in love with, but you’re a bit older than me so…”

“and i hope to be the only one too,” he smirked confidently, making you laugh as he plopped down on the ground and rested his head on the cushion next to yours. 

it was such a casual setting in such a vast space, bringing you back to the days in your little apartment inviting him over for chicken and beer before you knew about your immense wealth and got embarrassed over your cheap dates when he was so used to expensive restaurants. he found it very endearing though, knowing you liked him for him and not his money.

“well, if you’re so curious…” he trailed off, but you weren’t quite sure if it was because of hesitation or because he simply didn’t know where to start. you can’t remember the last time a conversation like this was held to learn more about him since it was usually about you, maybe back when you first started dating and briefly discussed his late parents.

he started with his crush when he was in middle school since that was his earliest recollection of feeling love, who didn’t really count as a girlfriend or love because nothing was established and because of their age, but she was his first kiss that he ran away from right after because of how nervous he was, and it was never addressed again. apparently it was his second girlfriend who taught him everything he knew before he met you, saying she basically “trained him like a dog” to create a gentleman out of an inexperienced boy who still wasn’t quite sure how to treat a woman like a queen. she was a bit mean though, and he didn’t realize he dodged a bullet until later after realizing she was unnecessarily cruel to him for no reason multiple times if he didn’t do things exactly her way.

you suppose you always knew your husband wasn’t always the suave charmer you know him to be, but the image of younger him being clueless on matters of romance made you burst out laughing because of how you could hardly picture it.

he reached over to pinch your cheek affectionately, “are you of all people really making fun of me when you were too scared to hold my hand for me to escort you out of my car?”

“oh my god, that was on our first date, i can’t be blamed! i was shaking like crazy on that day— you had to tell me that you didn’t bite.”

“i was actually thinking about calling off our date last minute because of an emergency at work,” he confessed, “but i’m glad i didn’t and met the love of my life instead.”

“aw, you flirt.” the memory made you smile and feel all giggly inside, all the fears you had about him possibly having an affair falling away, yet there were still some lingering at the back of your mind with the mention of his job. “what happened at work?”

“nothing that important,” he said instantly like clockwork. “just some boring business things.”

you didn’t push it, not wanting to ruin the mood, but once again, your curiosity was just itching to ask more questions about his work life even if it was truly as boring as he says. you wanted to know every mundane detail whether it was what his office looked like or what the annoying co-worker did on a daily basis, anything to satiate your need to know more about this mysterious man you had made life-long vows with.

it all came to a head one night while you were cooking dinner, you heard the doorbell ring a dozen times in quick succession and answered it to find an older man with fiery red hair that seemed to match his temper. when he addressed your husband by name and verified your relationship with him, he began spewing all kinds of insults about the blood he had on his hands by luring innocent people to their deaths and you felt your heart drop. you tried to reason with him that there must have been some sort of mistake, barely able to get your words out in a fit of confusion and surprise at the absurd accusation, but he wouldn’t hear you out and pointed a finger in your face, asking if you had any idea what gong ji-cheol was doing behind your back. 

at that very moment, he was suddenly seized by two anonymous men in all black, causing him to yell out in panic as they dragged him away and stuffed him in the back of a car before quickly driving off into the night without a trace. it all happened so fast, you just stood there with your mouth open in shock, wondering if you should call the police on what looked like an abduction. 

then your husband comes running up the steps with his locked briefcase in hand, shouting out your name, asking you if you’re okay, pulling you back inside the comfort of your shared home, and checking you all over to make sure you aren’t harmed in any way. when you ask about who that man was and what he was talking about, he simply told you he was some crazy customer who was dissatisfied with the company, was looking for someone to blame, and promised to tell you the details later. 

you didn’t tell him that you didn’t believe him, just pursed your lips and furrowed your brow for a second then let go of the topic like you always do, taking his coat off his shoulders with a peck on the lips asking how his day was. he reciprocated the kiss, said it was fine without anything special, and that he would shower before having dinner, something he didn’t really need to say since you already knew but stated anyway as per evening routine. 

as he headed up the stairs and disappeared from sight, you stared at the locked briefcase resting crookedly on the little entryway table and paused for a moment. if you did this, it would be a breach of privacy and a sign of growing distrust in your husband, but it could also answer all of the questions that never cease. 

your hands wouldn’t stop shaking involuntarily as you felt the cold black metal underneath your fingertips, marveling at the smooth material clean of any scratches or dents. fidgeting with the built-in combination lock, six number sequences started rushing through your mind as you started to hastily run through your options with a focus on dates. you were determined to only do this three times since you had no idea if an alarm would be set off or if it would close off permanently.

his birthday?

an electronic beep went off indicating you were incorrect, making you nervous.

your birthday?

wrong again, you only had one attempt left. you swallowed, shaking the accumulating sweat off your hands.

the date of your wedding?

you gasped as the locks suddenly flipped open and lightly knocked against the briefcase. it was undone, you could open it at any moment now and see it all.

and yet you still hesitated during this golden opportunity. was it the fact that the passcode to his most secret possession was the day you got married? was it guilt for going behind your husband’s back for answers instead of directly asking him? was it because you were afraid of what you would find if you discovered the red-haired man was telling the truth?

whatever it was, you let out a breath you didn’t know you were holding and locked it again, leaving it looking untouched and went back to playing dinner.

there was a heavy tension present at the dinner table that night, the only conversation present being him interrogating you about what the red-haired man talked about word-for-word. not really interrogating since his tone of voice was still calm and gentle as he asked questions, but you could see him fidgeting with his fork and not leaving much room for any other topic until he was sure you told him everything. he then sighed and claimed the man was insane, a gambling addict who was too deep in debt to afford treatment and was trying to drag him into his misery after meeting at the subway station. 

“ji-cheol?”

he froze for a second, not used to hearing you use his real name rather than a pet name. “yes?”

“what do you do for a living, exactly?”

a pause, you watched him fidget with his chopsticks and shift the grains of rice around. “you know, business stuff— nothing you need to concern yourself about—“

“but i don’t know! that’s the thing!” you felt tears starting to well up behind your eyes, letting two years of frustration trickle through. “i know it doesn’t seem that important for me to know, but is it really so important that you leave me in the dark about it for the three years we’ve been lovers? and now some guy comes to our doorstep and tells me about how your job is playing games with people at the subway station to make them participate in death games?!” you took a deep breath, calming yourself down, “please, be honest with me, that’s all i want…”

“i-i…” that was the first time you’ve ever heard him stutter, and if the situation wasn’t so tense, you would be proud you finally got one-up on him. “i can’t say… it’s for your own safety and mine.”

“so he was right?”

he remained silent, trying to think of some way to counter what seong gi-hun had told you, but if you didn’t believe the elaborate lie he already told you and wanted to learn more, then he knew this was the end of the road. 

“i-i need some time to think…” you looked defeated and it broke his heart. “i’m going to my mom’s house tonight, i’ll be back tomorrow—“ you got up, not bothering to pack anything aside from your phone and your wallet.

he had prepared for you to start screaming and crying (not that he would blame you, i mean, who would willingly stay with a man who was complicit in mass murder), demanding a divorce and packing your things to shut the door for him never to be seen again with your unborn child. the strangely calm reaction was both a relief and extremely unsettling to him.

“i won’t be mad if you decide not to come back” he stated plainly, defeated in a state you’ve never seen him in before. “whatever choice you make, i’ll support you, just know i love you— more than anything else in this world.”

you stared at him blankly through the open doorway. perhaps your husband isn’t the perfect man you believed him to be, but he was as honest as he possibly could have been with you regarding the matter, and that’s enough. 

“i love you too, i’ll be back in the morning.” that’s how you feel at the moment, but you don’t know if you’ll feel the same way tomorrow morning when it sinks in.

[avelera]

You know, it's probably ridiculous to assume that Viktor is being somehow mind controlled by the Hexcore in S2 of Arcane. Obviously his actions are entirely his own, right?

After all, mind control plotlines can be a tricky to pull off and when it's employed, creators tend to put a lot of signposts in to let you know what's really happening and how the character isn't themselves anymore.

For example, creators might do things like... having the character's eye color suddenly change, since eyes are the windows to the soul.

Or... creators might indicate that the character's voice has changed somehow, to indicate that another will is acting through them and they're not entirely themselves anymore.

Certainly one really common trope in mind control plotlines is the mind-controlled character is hearing some kind of voice in their head telling them what to do, or seeing someone that isn't there who guides them or controls them.

Certainly in a pinch, if you really want to drive home that a character has been mind controlled and hasn't been themselves, you'd make it pretty obvious by having them be horrified by what they've done once the mind control wears off!

Bonus points if their eyes revert back to their natural color and any other signs of a different voice or appearance go away once the mind control is finally lifted! That way it's definitely clear that they've been set free from whatever influence was upon them.

But seriously, without these sorts of really glaring signposts we can't really be sure if a mind control plotline was intended at all!

(Tongue-in-cheek aside, I actually love the subtlety of how Arcane executed the Hexcorized Viktor plotline, and I love how much ambiguity remains. But for anyone who thinks he was totally in control, I mean, come on guys. When I started going down the list of all the things film and tv usually does to signal a mind control plot I literally burst out laughing when I realized how many of them Arcane had hidden in plain sight.)

[resisteverything]

I actually respect Slender: The arrival a lot for its depiction of the asylum. Chapter four is about a man named Charlie who was attacked by Slenderman as a child and is now institutionalized, trying to escape. It’s a surrealist psychological thing where Slendy is clearly just fucking with you the whole time until it’s time for you to inevitably die. And the monsters are slender man, a creepy little girl character at one point, and an unknown water creature. The story also has a moment of ableism hurting the patients and not in a “the doctor is crazy” kinda way, but in a way where a doctor says he is testing anxiety medicine that makes patients start to perceive Slenderman, but he’ll keep experimenting with it anyway to see if it has results. The implication is that he got his patients killed by not taking their issues seriously, and not in a mad doctor way but in a depressingly real manner. And the main character has to maneuver around security doors designed to prevent inmates from escaping, complete with red alert alarms and all that, but the story doesn’t even slightly imply that there’s a real issue of mentally ill people causing harm, so the doctors come off as irrationally paranoid. This might be an accident, the story never really lingers on it, but the main character of this story being punished for his childhood trauma by being assumed a potentially violent monster when he shows no signs of violence the entire game (the game doesn’t even have combat) and is in fact being victimized by his mental illness which the doctors are making worse, seems like a very deliberately depiction of Ableism.

Though this all might be somewhat negated by Kate, given the way her turning into a monster is preceded by signs of mental insanity. But her transformation could also be read as a lot more of a supernatural thing than “Ooh she’s gone crazy”

The worst thing is that there is so much potential for exploring the horror of psych wards from the angle of medical abuse, ableism, forced treatment/drugging, loss of autonomy, power imbalance, demonization, dehumanization, etc, and YET the horror genre keeps defaulting to "insane asylums and psych wards are scary because there are mentally ill people in there"

[salemrph]

Wine, Lies and Longing

Summary: You win a romantic vineyard getaway, a dream escape you never expected. Unsure of who to take, you impulsively invite Sylus. What starts as playful pretending, soon becomes something far more real. In the heart of the vineyard, surrounded by the sweetness of wine and the glow of moonlight, you begin to wonder: is this just an act, or the start of something you’ve always longed for?

Based on the new banner Night Rendezvous!

Character: MC x Sylus // Genre: romantic, soft, explicit sexual content // Pet names: Kitten, Sweetie // Word count: 8,827 | Reading Time: 35 min

A/N: This was written before Night Rendezvous officially dropped, inspired by the clips we’ve seen over the past two days. Please note there might be some errors—I was absolutely frantic about the banner while writing this! I just couldn’t get Sylus out of my head.

WARNINGS: mdni, biting, penetration, cum. Remember, fanfics are not a reliable source of sexual education. For questions about protection and birth control, talk to your doctor.

A weeks ago, after visiting your regular supermarket to pick up your usual after-mission dinner set, the kind cashier, while taking your point card, reminded you about the ongoing special raffle.

"Miss, do you want to participate in the lottery?" You looked at the display banner on the counter. The image of serene mountains under a captivating sunset, the sparkle of a drop of water on a bunch of grapes, and the faces of people happily enjoying an unforgettable moment. “Two days in a mountainous region with beautiful views” it read— a getaway promising wine, relaxation, and a fleeting escape from your daily chaos. You paused for a moment, thinking that a vacation wouldn’t be a bad idea, especially since you’d been continuously working on missions, paperwork, and grueling training sessions. You let out a soft sight, the exhaustion creeping into your thoughts. What could happen? In worst case, you would not win the prize, and at the moment, simply filling out the digital form will maybe bring you closer to a small break. Without overthinking it, you nodded, typed in your details, and submitted your entry.

Not even sure, when that happens, you blink a couple of times while checking your email. You can hardly believe your eyes. You won, you actually won that stupid getaway for two! The excitement bubbles up in you like champagne, because you never win anything. You can already imagine the fresh air, the rolling hills, the luxury of it all. You want to scream. You do a little dance in your living room. This is how it should be. Without thinking twice, you call Tera to share the news. After a few rings, she picks up.

"Hey, my favorite person!" she say cheerful like always.

"Tera, guess what?" you ask enthusiastic, you don't wait for her to answer "I won a trip for two to a vineyard! Wanna go on a girls' trip?"

"Say what?! Really? That's amazing!"

"I know! I'm really excited." you explain to Tera briefly what kind of trip it is. “Oh, we could have a lot of fun. Are you in?”

"Oh, I would love to, but… isn’t this kind of trip for couples?" You freeze, your smile faltering.

"Couple? Let me check..."

A shadow of doubt creeps in, heavy and unwelcome. Frowning, you swipe back to the email announcing your prize, it took you a moment to go trough the conditions. Your stomach tightening as your eyes land on the fine print: Only couples allowed. Your mind races, a mix of disappointment and worry swirling inside you. You stare at the screen, torn between laughing at the absurdity and groaning at your oversight.

"What should I do?" you ask, feeling a little lost.

"We could just say we’re a couple" says Tera laughing a bit.

You lean back against the couch, chewing on the idea. Pretending wouldn’t be that hard, would it? It’s not like the vineyard is going to demand proof of your relationship. Still, the idea feels... complicated. Then Tera continues with a playful tone.

"Or..." she teases, "...you could ask Mr. Skye to go with you? He has a crush on you. Maybe this is the perfect chance to level up your relationship with him."

The thought alone makes your cheeks heat up. Sylus? Taking him with you? Your heart flutters. It wouldn't be the first time with him on a trip but... on a exclusive couple trip? You remember the time you were with him in that castle, telling you that weird story to help you fall asleep, but you strangely ended up being bitten by him on the neck. Your cheeks are starting to burn, the feeling of his teeth on your skin was intense. You put a hand on your neck, it feels like it was yesterday.

“Are you there?” You shake you head, trying to come back to the conversation.

“Really? Are you serious?” feeling a mix of curiosity and disbelief.

“Why not? He’s hot, you’re hot, and it’s a romantic vineyard trip. It practically screams opportunity!” Her words make you feel more nervous and you go silent again. She only wants to ship you with him. Her personal real time K-drama. "I think you should ask him,” she presses, a bit insistently. “It could be fun. Worst case? You survive the trip. Best case? You come back as a couple. Just saying"

“Tera...” you sigh. “I don't like him—"

“Bullshit!” she cuts you off, her voice cheerful and confident. “You have a thing for him, admit it! Be happy with him. You know what? I’m not going with you.” She laughs. “Ask him and have fun! And call me for the little dirty details. Byee”

“Wait! Tera?!” And with that, the call is over, leaving you staring at your phone.

You groan. The room feels too quiet, too charged with the sudden possibility. Sylus—always confident, always composed—would undoubtedly say yes. You could already imagine his reaction: that cocky tilt of his head, his dark eyes narrowing with amusement. You bite your lip. Tera is right, he is hot. Terribly hot.

You glaze on your phone, fingers hovering over the screen. Should I, shouldn't I text him? Your heart is racing. How could you wrap this up to make it less... weird? The last time you came up with a plan, it wasn’t that difficult, was it? The couple photo shoot... well, OTTO was very insistent that you take part in it. In the end, it was fun... and you had a kind of romantic moment with Sylus. Maybe you can see this as a payback of all the time he help you with stuff.

But why Sylus? You could just ask the other friend you have, right? You go through the scenario in your head, imagining how it might go if you asked Zayne, Xavier or Rafayel. I mean, the boys are cool, but bringing your co-worker/neighbour could be very relaxing. Xavier wouldn’t be interested in the wine, but he’d enjoy the fresh mountain air. Zayne... you sighed. He was always too busy to go anywhere. Rafayel could be fun, but the idea of playing bodyguard while travelling didn’t appeal to you. You're starting to feel sleepy from all this thinking, and feel like to take a nap is the right solution to not deal with this. It's early in the morning. Or should you maybe have a coffee and go for a run. You sigh. This can be so complicated.

After what feels like an eternity of hesitation, you finally decide to at least ask Sylus first. Just as you gather the courage to type something, your phone buzzes. A call from him.

“What are you doing?” he says without even saying hello.

“Working” you lie.

“You sound tired, kitten.” he says, a hint of concern threading through his voice. „I thought you were going to take a break after all that missions”

You feel the warmth in his ton, it make you feel... good. “I'm planning too.” Thinking how to bring up the trip. “I just need to finish a few things.”

There’s a pause before he speaks again, the softness of his words taking you by surprise. “If you ever feel overwhelmed, you're always welcome at my place”. You smile like an idiot without notices it. If Tera were there she would have teased you about that.

“I will...” you try to compose yourself. “Why are you calling me now? Isn't this you bed time hour?

He laugh softly, a sound that always seems to melt your heart if you're not careful “I like to hear your voice before I go to bed. That's way I call”.

“I see...” you murmur.

“What are you planning to do?”

“Well...” you hesitate, the words feeling awkward in your throat. “I won this trip for two to a vineyard. I was talking to Tera, she doesn't have the time to come with me. And I... I know it’s a couple’s thing, but I would be a shame—”.

“Go to the point, kitten” he interrupts with a laugh.

“I wanted to ask you, if...” you close you eyes, as if that would save you the embarrassment in case he says no. “...you could come with me? I owe you for few things.”

There’s a moment of silence before he answers, his voice calm, yet with an undertone of amusement. “Sure, I’ll go. Wouldn’t want you to miss out.“ The relief washes over you, but there’s a strange flutter in your chest too. You try to ignore it. “Send me the details.”

“Alright. Sleep well.”

“Thanks, kitten.”

...

When you finally arrive with him at the vineyard, the atmosphere is perfect. The air is crisp, the vineyards stretch out beneath a sky painted in soft pastels, and the scent of fresh earth and ripe grapes lingers. The estate’s stone pathways crunch softly beneath your feet as you make your way to the guest rooms.

The room is picturesque and charming, with rustic wooden beams and a window overlooking the sprawling vineyard. But your eyes are drawn immediately to the bed. One bed. A king-sized one, with crisp white sheets and pillows that seem to mock you with their perfect arrangement. Your heart skips a beat at the sight, the reality of it sinking in. Calm down! You have slept with him in one bed, more then you want to count.

Sylus steps inside behind you, he sets your and his bag down, his usual confidence radiating from him like a second skin.

“Looks cozy” he says, his voice smooth, his smirk just shy of teasing.

You manage a laugh, though it comes out shaky. “Cozy is one way to put it.”

He raises an eyebrow, leaning against the wall with an ease that makes your stomach flip. “You nervous already? We haven’t even opened the wine yet.”

You roll your eyes, desperate to mask the heat creeping up your neck. “As if. Just… surprised, that’s all.” He chuckles, the sound low and velvety, sending a shiver through you.

“Surprised, huh?” Then, with a playful tilt of his head. “Relax, my love” You get goosebumps hearing him say those words. The pet name drips with mockery, but the way he says it makes your breath hitch.

“You don´t have to call me that”

“Why not? This is a couples trip, doesn't it?” His smile is maddeningly confident, his tone bordering on a challenge. You let out a long sigh, trying to steady the flustered mess inside you.

“You’re really leaning into this, aren’t you?”

He straightens, stepping closer—too close. His voice drops just enough to make your pulse quicken. “We want to make it convincing. Or do you have a better plan?”

It’s not the first time you’ve had to pretend to be couple or lover, or whatever, but somehow, this feels different. You’re not on a mission with him, not playing a part for someone else's benefit. This is personal—too personal.

Sylus strides over to the bed, his movements deliberate. He sits down with the kind of ease that suggests he owns the space, leaning back on one arm as if the room was made for him. You perch on the edge of the bed, trying to relax, but every part of you is hyper-aware of his presence—the faint spice of his cologne, the quiet rustle of his shirt as he shifts, the heat radiating from him even at a distance.

“No, I don't.” you say annoyed “I... just hope we can enjoy this.” Your words trail off as you glance out the window, desperate for a distraction. It’s definitely a super romantic place, the kind of setting you’d see in a movie. You cling to the view, hoping its beauty will steady your swirling thoughts.

Sylus looks over at you, a faint smirk on his lips.

"I’m sure it’ll be enjoyable, either way. We’re in the right place for it" he says, his voice low and confident, as if he already knows how the weekend will unfold. You swallow hard, forcing a smile.

“Don’t worry,” he murmurs, his smirk deepening. “I’ll make sure you enjoy yourself.”

You turn your gaze back to the vineyard, trying to steady your racing thoughts. This is just a weekend, you remind yourself. It’s just Sylus.

...

The agenda for the day is simple—nothing too complicated. Just a tour of the property, along with the other couple staying at the vineyard. Then, a wine tasting session to enjoy the local flavours, followed by a leisurely dinner under the stars. Afterwards, you’re meant to relax, enjoy the evening, and retire to bed. Easy, right?

But despite how simple it sounds. As you make your way through the vineyard with Sylus by your side, everything feels heightened, even the sound of your footsteps crunching on the gravel path. The soft laughter of the other couple fills the background, but it feels distant. In your distraction, you trip slightly over your feet. Why are you even wearing heals? You catch yourself, but before you can fully regain balance, Sylus is there—his hand firm on your arm, pulling you closer. He steadies you effortlessly, his proximity sending a rush of warmth through you.

“Give me your hand,” he murmurs, his voice low, smooth. You blink, still a little off-balance, and look up at him, confused “What?” He smirks, his eyes glinting with amusement. “You surely don’t want to break you ankle or ruin your dress, do you?” His words are wrapped in a teasing edge. You eye him suspiciously, your pulse racing.

“Besides,” he continues in a soft whisper, his breath warm against your ear, “that’s what couples do. Care for each other.”

The heat of his hand in yours makes your heart race, his touch unexpectedly gentle, sending a shiver down your spine. You try to focus, try to shake off the unexpected flutter in your chest. But his proximity, his warmth, makes it hard to think clearly. Maybe…

The tour guide’s voice weaves through the warm air, narrating the history of the vineyard with practiced ease. But you barely register the words.

The wine tasting that follows feels like an eternity. Each sip is a kaleidoscope of flavours, yet none hold your focus for long. The richness of the reds, the crispness of the whites—they all blur together as you try to ground yourself, but it’s impossible with Sylus nearby. His gaze lingers too long, his teasing comments too precise, cutting through your resolve with the ease of a knife through silk.

“Not bad,” he says, his voice low and smooth as he swirls the wine in his glass. His dark eyes glint with amusement. “But I’ve tasted better.”

You raise an eyebrow, trying to play it cool. “Oh, I didn’t realice you were such a wine connoisseur.”

He leans in slightly, his tone dropping just enough to make your breath catch. “I have a talent for recognising quality.”

A smile tugs at your lips, genuine this time. You can't help it. Each exchange feels like a dance, his confidence pressing against your composure in a way that leaves you breathless. Actually, you want to bite back with some sharp words, but there it is. That soft smile, the same one he had after the boxing match, under the falling snow... Your lips part, but instead of speaking, you just look back at him. Everything seems to slow down. Is the wine affecting you? For a heartbeat, neither of you speaks. For a fleeting second, you wonder if he feels it too. You eyes darts on this lips, how would they taste?

And then, just before the moment slips away, he does something unexpected. He sets his glass down, his movements fluid, and without breaking eye contact, he reaches out, gently brushing a strand of hair from your face. His touch is light, but it lingers just long enough to make your skin tingle.

Before you can even process it, a soft tap on your shoulder pulls you from the moment. Two women approach, giggling like schoolgirls, their eyes sparkling with mischief.

They interrupt the bubble you’ve found yourself in, and the weight of Sylus’s touch vanishes as if it was never there. But the heat in your chest lingers, a faint trace of the connection that just passed between you.

“Excuse me” one of them says, her voice light and playful as she glances between you and Sylus. The other nudges her, stifling a giggle, and you can already feel the familiar mix of curiosity and dread bubbling up.

“We couldn’t help but notice” the first woman continues, her smile widening, “you two are just the cutest couple. You’ve got this… spark. It’s like you stepped out of a romance novel!”

You blink, caught off guard, the glass of wine freezing halfway to your lips. A flush rises to your cheeks, and you can feel Sylus shift beside you, his presence suddenly more commanding.

“Oh, really?” he says smoothly, his tone carrying that trademark confidence. He slides an arm casually around your waist, pulling you just close enough to make your pulse quicken. “Well, I’m glad we’re keeping the vineyard’s reputation for romance alive.

His words, so effortlessly delivered, make the women swoon audibly. “The way you two look at each other—it’s just magical!”

You force a laugh, hoping it doesn’t sound as strained as it feels. “Thanks” you manage, your voice tight as Sylus’s hand lingers on your hip, warm and steady.

“Are you two married?”

“No” you say quickly, your voice a little too sharp, too defensive.

Sylus, however, doesn’t miss a beat. He looks at you, then smiles smoothly at the women. “No but...” he says as he looks back at you. “Our soul are already bound, so is better then marriage.”

The women gasp, eyes widening in surprise. “Such a poetic man...” the first woman exclaims. “You two are perfect together!”

You blink, momentarily stunned, unsure of how to react. Sylus doesn’t seem at all phased by the lie, his calm demeanor making it feel like a perfectly natural thing to say.

“Thanks” he says, his voice smooth as silk. “We’re very happy.”

You smile politely, trying to shake off the warmth creeping up your neck. The words linger in your mind as you finish your wine, but you can’t help but feel a little more self-conscious now. They really think you’re with him. You can’t help but wonder if the lines between roll playing and reality are already starting to blur.

The women chat a little longer, their compliments spilling over like the wine in their glasses. Finally, they flit away, their laughter trailing behind them as they disappear into the crowd.

You exhale sharply, stepping out of Sylus’s hold and turning to him with narrowed eyes. “Really? Our soul are bound? Better then marriage?”

He grins, unfazed, leaning closer until his voice drops low enough that only you can hear. “What?” His gaze locks onto yours, his smirk softening into something almost tender. “Saying the true is sometime easier then coming up with some lie, sweetie”

Maybe he’s enjoying this a little too much. But if he’s enjoying it, why don’t you enjoy it too? You think to yourself, a strange thought whispering at the back of your mind. Even if it’s just for this trip, just for the moment.

The wine has already begun to work its magic, loosening your inhibitions and making everything feel just a little more carefree. Before you can fully think it through, you find yourself clinging to Sylus’s arm, your fingers lightly gripping the sleeve of his jacket. The warmth of his presence settles against you, his steady pulse beneath your touch a reminder of just how close he is. You feel the tension in your chest ease, replaced by something else, something much more complicated.

Sylus’s smile stretches wide as he looks down at you, the corner of his lips curling in that smug, almost predatory way he always does when he knows he’s got your attention.

The quiet hum of the evening settles back in. It’s as if a small door has been opened, and you’re not entirely sure what’s on the other side, but for now, you’re curious enough to stay a little longer.

Sylus doesn’t move, his arm still locked with yours, and when he finally speaks, his voice is low and teasing. “Enjoying yourself so far, sweetheart?”

You glance up at him, maybe... just maybe... it won’t be as simple as you expected.

…

Dinner arrives just as the sun dips below the horizon, casting the sky in soft, dusky hues. The air feels cooler now, but the warmth of the intimate atmosphere wraps around you, drawing you closer to the cozy setting. The flickering candlelight dances across the stone walls, casting playful shadows that seem to shift with every movement. It’s romantic, the kind of dinner scene you only see in movies, and for a moment, it feels like you’re part of a story you’re not sure you want to end.

Sylus is seated next to you, his tall frame glowing softly in the dim light. He’s quieter than usual, but his presence is undeniable. Every now and then, his eyes flicker to yours, and there’s something in the way he looks at you that makes you want to jump from your chair and lose yourself in him right there.

During the dinner, you find yourself addressing him a few times as “my love” or “honey”, while taking in the large group at the table. The words slip from your lips without thinking, and each time they do, a little thrill runs through you. You’re playing the part, but in some strange way, you realize you’re not pretending anymore. You’re enjoying it, living it.

You let your fingers brushed against his hand, and before you know, you’re subtly holding his hand beneath the table. The simple touch sends warmth up your arm. The intimacy of the gesture, hidden from the others, feels like a secret shared between just the two of you. You pass him food, feeding each other bites of your meals, exchanging tastes like lovers. Each touch, each glance, each shared moment feels more natural than it should.

You’re lost in the closeness, in the warmth of the evening, in the role you’re playing so effortlessly. It feels easy, too easy, to slip into this new dynamic with him. And for the first time since you arrived, you stop questioning it. For tonight, you’re his beloved. And maybe, just maybe, you can stay like this forever.

The evening winds down, and you’re a bit tipsy, your cheeks flushed with a soft pink. You decide to step outside for some fresh air, leaving Sylus talking to the owner of the vineyard. The nice warm sun is long gone, and the coldness of the mountains is a refreshing contrast to it. The vineyard stretches out before you, bathed in moonlight, and the quiet of the night feels peaceful. You feet are hurting, you've been walking with high heels all day.

You take a deep breath, feeling good, light, and free. For the first time in a while, you realize something you hadn’t fully allowed yourself to consider: You’re in love with him. There’s no denying it anymore. It’s there, right at the center of your heart, a truth you can’t shake. The way he looks at you, touches you—Every glance, every subtle move he makes, has stirred something deep inside you.

You stop for a moment, letting the breeze tousle your hair, and close your eyes. You’re here. You’re alive. And for this moment, you’re letting yourself feel what you feel, without worrying about what comes next. There’s something beautiful in the simplicity of it, in allowing yourself to just be in love with him. Tonight, you are free to love him, even if you don’t know what tomorrow will bring.

As you walk over the veranda, along wooden floor, you heels clicking, feeling the silence around you, lost in your thoughts, you hear his voice cut through the stillness.

"My beautiful beloved, where are you going?" Sylus’s voice is smooth, playful.

You turn around and give him the most sincere smile you've ever shown him. If someone else had seen the look on your face at that moment, they might have thought you'd given him your whole heart in that single expression. And if someone had told you what Sylus felt when he saw you smile like that, you might not have believed them.

You’re startled to find him so close, just a few steps behind you, his figure illuminated by the silvery glow of the moonlight. His eyes are fixed on you, that familiar, confident smile tugging at his lips.

You feel your heart race. "Just needed a moment," you reply softly.

He steps closer, his presence magnetic, his gaze never leaving yours. "I see."

The heat of the wine bubbles up in your chest, but it’s the way he stands there, close, that makes the moment feel heavier than it should. He watches you as if he’s trying to decode something, a quiet challenge in his eyes. Then, without another word, he removes his jacket, the fabric brushing against your arms as he drapes it over your shoulders.

“Thank you” you say a bit shy.

“No need.”

The silence stretches between you, but it’s not uncomfortable. You don’t need to look at him to know he’s glaring at you. You step closer to the railing, perching on it with half your body leaning out, the cool breeze brushing against your skin. Your mind drifts, flitting from thought to thought, nowhere in particular yet everywhere all at once. You’re enjoying it more than you expected. You hate to admit it, but Tera was right. You’ll need to thank her for pushing you to this.

“You’re staring” you say softly, trying to sound playful but failing to hide the nervous edge in your voice.

“Am I?” he counters smoothly, the smirk growing as he tilts his head slightly. “Maybe I just like what I see.” Your cheeks flush, but you don't look at him. Your eyes are still locked on the scenery.

“Mm-hmm” you hum.

“You’re quiet.” He remarks after a moment, his voice softer now, almost contemplative. “Something on your mind?”

You take a steadying breath, eyes still on the horizon. “Just... enjoying the view.”

He chuckles low. “Good to know I’m not the only one. Though, as beautiful as this is, we should head back—I’ve got something prepared for us.”

You tilt your head in curiosity, trying to read his expression, but before you can ask he gently takes you hand. You suppress a sigh as he guide you to stand up from the railing. You follow him, but the moment your feet hit the ground, the discomfort you’d been ignoring flares up. The cooling evening air has made the snug fit of your pretty shoes unbearable. You let out a soft whine as you take a couple of steps, causing Sylus to stop immediately. He turns, his brows furrowing with concern.

“What wrong?” You shake your head quickly, not wanting to make a fuss.

“It’s nothing... just my feet hurt a little”.

His gaze drops to your shoes, assessing the situation in an instant. “Why didn’t you say something sooner?” Sylus lets out a sigh, but the corner of his mouth quirks up in a half-smile. “You’re hopeless sometimes, kitten.” Without another word, he scans the area, his gaze landing on a nearby chair on the veranda. He strides over to it, picks it up, and places it gently in front of you.

“Sit” he commands, his tone leaving no room for argument. You do as he said then he kneels in front of you.

“What are you—?” you start to protest, but he cuts you off with a knowing look.

“Taking them off. Lift your leg.”

Your heart skips a beat at his words, the intimacy of the moment not lost on you. You hesitate for a moment, but his steady gaze convinces you, and you lift your leg. The touch of his fingers on your ankle is electrifying. The dress you're wearing is riding up a bit. Concerned that he might catch a glimpse under the skirt, you discreetly try to lower it. Sylus doesn’t seem to notice or care, his focus entirely on your feet as he gently works to ease the discomfort you’re feeling. Still, you’re glad you're wearing cute panties, just in case something... happens? A few moments later your feet have been released from their prison, you feel relieved.

“This feels better, thanks” you say softly.

“Look at that, a second thanks I get today” he chuckles. Sylus stands up a little and leans over you. He's too close. "Hold on tight."

You feel his hands slide under your thighs and the other hand behind your back. In an instant, you find yourself lifted into his arms. You curl up instinctively, wrapping your arms around his neck, your body seeking the warmth and security he offers. His eyes flicker to your shoes, the red and black mist picks them up, placing them in one of his hand, not breaking stride as he carries you effortlessly.

“Put me down, Sylus” you say, a hint of laughter in your voice despite the situation.

“Do you want to walk barefoot?” he replies, his tone teasing but unwavering as he holds you close, his grip firm and steady. “Stay still, fussy kitten.”

With a pout you stop squirming in his arms, the smell of his perfume mixed with wine is incredible. You feel almost drunk, not from the wine itself but from the sweet and earthy mix that fills your senses, an alluring combination that invades your nose and makes your head spin just a little. You want to bit his neck.

He walks with you in his arms through the mansion, past couples lingering in the dining room. You catch a few glances from them, including the two women from earlier, who sigh at such an adorable image. A sense of pride swells inside you, and you feel almost lucky, as if you’re the center of attention in the best way possible. As you continue down the hallway toward your room, you look up, and your eyes meet his. That look again. Soft and tender.

As the door opens, you blink in surprise. The room is lit by soft candlelight and the chimney, the air sweet with the scent of fresh flowers, and a bottle of wine chilling in ice sits on the table. It feels like something straight out of a romance movie.

"Sylus, you don’t need to pretend in here" you say low, the question hanging in the air.

He meets your gaze, unfazed. "I’m not pretending." his tone very calm. You raise an eyebrow. He gently lowers you onto the bed, his hands steady and careful. He places your shoes on the floor beside the bed.

"Were you pretending before, being touchy and calling me pet names?" His question hits you like a spark.

You blush, stumbling over your words. "I..."

"It’s alright," he cuts in. “Lay down if you tried. It has been a long day” he look down, while unbuttoning his shirt, revealing the sculpted muscles of his chest. The sight is fascinating and you can’t help but feel the absurd urge to lick every inch.

“I'm not” you feel your restraint cracking inside you, the longing for him is taking over.

“If you don't want to lie down” he continues, his voice smooth but with a hint of challenge “we can make the most of our time before dawn.” He step back, turning to the sofa for a moment. “Do you want some wine?”

This feels insane. You feel insane, but how long can you hold back? Isn’t this the perfect setup—wine, candlelight, fresh flowers, and a whole weekend for two? It’s a scene straight out of a dream. You stand up from the bed, your bare feet soft against the floor. Your body reacts before your mind can catch up, desire surging within you, irresistible and raw. You walk toward him, feeling both bold and vulnerable, wanting something more.

“Forget the wine” you say, almost offended by the suggestion. Without the heels, you feel smaller in front of him, but the fire inside you pushes that discomfort aside. You place one hand on his bare chest, feeling the warmth of his skin under your fingers.

Sylus looks down at your hand, his gaze flickering to yours with a mixture of curiosity and amusement. “I thought you were done with touching” he teases. You don’t answer, your pulse quickening. Damn him, it feels so good. Your fingers trace the opening of his black shirt, and you notice the slight change in his breathing. It’s subtle at first, but you can feel it—the way his chest rises and falls more sharply.

Sylus takes a slow, deliberate breath, his eyes locking with yours. You can tell he's holding back, but just barely. You smile, a little smug, pushing him down onto the sofa. He falls with a loud thud, but before he can settle, you quickly sit on his lap, both legs draped at his sides. Your dress shifts up with the movement, but this time, it doesn’t matter. You want to provoke him more than ever. Your hand returns to his chest, tracing irregular lines with your finger, the soft skin beneath your touch sending a pang of pleasure through your body. You can’t stop yourself from drawing closer, feeling the magnetism between you pull tighter with each passing second. He watches you intently, a teasing smile tugging at the corner of his lips. You feel alive, every nerve on edge.

Your eyes flicker between his chest, his lips, and his eyes—his smoldering, unreadable eyes. You want to kiss him. The desire to feel his lips on yours is overwhelming, and you can’t fight it any longer.

Without thinking, you place your hand on his neck, your fingers trailing up to his cheek, the warmth of his skin... why did you take so long to get closer to him? At this point, that cute black underwear you wearing is wet, soak even. The heat between your thighs almost unbearable. Does he know what you want to do next? His playful, almost knowing look in his eyes would definitely say yes. You feel his control slipping, and it makes you ache for him even more.

You close the distance, moving your hand at the back of his neck, as you pull him closer. The moment your lips meet, everything else fades away. The warmth of his lips, the intensity of his touch, it's everything you've been feeling building up to this. You melt into the kiss, your body pressing closer to his, a wave of desire crashing over you. His hands move instinctively, pulling you closer, deepening the kiss, and you respond just as fiercely, your heart pounding in your chest. You pull away breathless, your chest rising and falling with each quickened breath in the silence that follows. You look into his eyes, wide with disbelief at what just happened, your mind still trying to catch up with your body. Again, again, again, please.

Sylus moves forward, his lips crashing against yours with an intensity that takes your breath away. You sigh in both pleasure and relief, feeling every inch of the tension melt away as his kiss deepens, as if it’s the only thing that matters in this moment. You feel his hand gently but firmly cup your cheek, his touch sending a shiver through you.

The kiss is fierce and consuming, his urgency matching your own as his other hand slides between your shoulder blades, pulling you against his chest. His body presses into yours, as if he can’t bear to be apart for even a moment. His tongue tangles with yours, a messy, erotic dance that sends shivers down your spine, down to your core. It’s chaotic, passionate, and you can’t help but surrender to it. All you can feel, all you can think about, is him—his warmth, his touch, the raw desire radiating from him, and the storm building between you both. You’re lost in the sensation, in the wildness of the kiss, the taste of him.

Sylus adjusts his position slightly, moving you with him as he shifts uncomfortably on the couch. He needs to be able to focus—focus on you, on your lips, on his throbbing desire in his pants that's driving him crazy. The tightness in his pants is almost unbearable. The soft material of your dress became a frustrating barrier to his touch, his hands hover over you, desperate to feel more.

„S- sylus...“ you manage to say between kisses, your voice filled with need. “Bed...“ His grip tightens around you hips. You can feel his hard dick between your legs since a while. He gives you a slow, deliberate kiss.

"Alright" he murmurs, he lifts you effortlessly into his arms. You instinctively wrap your legs around his hips, your body pressing against him as he moves swiftly toward the bed. The kiss never breaks as he places a knee on the bed, shifting you to the center, and gently lowers you onto the soft sheets. Your body tingles with the need for him, every inch of your skin alive, and the way he hovers just above you makes you feel like you're teetering on the edge of something you've both been craving since the being.

His nose brushing along the curve of you neck, the warmth of his breath ghosting over your skin. Then, the slow, intentional sweep of his tongue follows, sending a wave of electric shivers down your spine. You let out a soft whimper. Sylus hums against your neck.

He moves back, kneeling between your legs, and gently places one hand at the back of your thigh, moving down to lift you leg. His touch is careful, his eyes never leaving yours. Your dress moves up, covering barley your panties. He kiss you inner thigh, and move down to your knee.

Sylus's gaze darkens, and a small, almost smug smile plays at the corners of his mouth. His voice is low, raw with need. "I can't hold back anymore." He pauses, lips brushing lightly over your knee before pulling back slightly, meeting your eyes again. "You haven't changed your mind, have you?"

“No, but...”you pause, unsure where the insecurity is coming from. Sylus lifts an eyebrow, sensing the shift.

“Speak, my love” You sit up slightly, reaching for his face, your fingers gently tracing the spot where you had cut him the first time you met. Sylus gasps at your touch, the surprise in his reaction softening your own doubts.

“Am I being too greedy... if I ask you to keep your eyes only on me? He takes your hand, his grip firm yet tender.

“You always had that right.” He presses a soft kiss to your wrist. "Which means... you can be even greedier. Do you want it, kitten?"

“No” you smile, the tension easing slightly. “As long as you look at me, I don’t need it.”

He leans in slowly “Good“ his lips capturing yours in a soft kiss, first teasing with a slow lick before diving deeper, his tongue exploring your mouth with a hungry urgency. You fall back on the bed with him, he assaults your neck, with bites marking your skin as he has always wanted. His breath near your ear is driving you wild.

You gasp against him, your hands gripping his shoulder as you pull him closer. You find yourself not wanting to stop, not wanting to break away. The overwhelming sensation burns like fire. You elevate you hips to met his. Why is he taking so long?

"Looks like we're on the same page when it comes to not waste time." Sylus caress you cheek. You pout, turning your head away to avoid his gaze, but he’s quicker. He tilts your chin back toward him with a gentle but firm touch. "Stay focused, kitten" he murmurs playful.

Before you can respond, he moves his hand to cover your eyes "Don't look" he begins to kiss you again, his breath coming out in sharp gaps. What does he mean? You want to see him—to witness his composure faltering, to know you’re the one making him feel this way.

Sylus seems to savour the moment, his quiet sounds of pleasure against your lips filling the air like a melody only the two of you can hear. To you, it’s music—raw, intoxicating, and divine—a symphony of the gods, stirring a desire so pure and all-consuming it leaves you breathless. The weight of his body presses against yours, his movements slow as he grinds against you. The pressures of his hardness between your legs.

His long fingers trail down your arm, stopping at your wrist before moving to your palm. He laces his fingers with yours, squeezing hard, grounding you in the intensity of the moment. You melt to his touch. A soft whimper escapes your lips, and he chuckles faintly, the sound vibrating against your skin. The heat coursing through your body is dizzying, your thoughts hazy as the fabric of your fucking clothing feels increasingly stifling, an annoying barrier to his touch.

“You're not allowed to stop me until I'm finished.” he whisper, you nod. You starting to get desperate. You pull at his shirt with your other hand. Sylus smirks as he lets you remove his shirt a bit clumsy. The shirt falls finally to the floor in a careless heap, forgotten. His hands move to your thigh, slipping beneath the fabric of your dress. His fingers pressing into your skin as if staking a claim.

Sylus shifts slightly as his lips trail a path down your jaw. His other hands move with purpose, finding the hidden zipper of your dress on your back. You lean into him, your hands getting behind the waistband of his pants. Sylus smirks at your impatience, his fingers pausing briefly. The sound of it lowering fills the quiet space, mingling with the soft hum of your unsteady breaths. The fabric loosens, slipping off your shoulders.

Your hands moving to his belt, fumbling slightly as your nerves spark with adrenaline. He catches your wrist, stilling you for a moment. “You're truthly restless” he says with a teasing smirk, leaning down to kiss you again, as if savouring every second. He moves slightly to help you lift your dress over your head, the soft fabric slipping away easily and pooling on the floor beside his discarded shirt. You’re glad now that you picked out your favourite set—black with little red details you thought he might notice. From the way his eyes linger on you, it’s clear he does.

Your hands slide back to his waist. You glance up at him, and he gives you a small nod, his smirk never fading. Slowly, you undo the button and tug the fabric down over his hips. Sylus moves just enough to help you, kicking them off before settling back against you. Black boxer. Sexy. You bite your lips when your eyes fall on the the bulge you've been wanting to see for so long. Is pressing hard against the fabric, you can see the size and then the wet stain off precum, you swallow.

Even is Sylus love to see you in you beautiful set, and would love to contemplate you more. His cock is starting to hurt, and your lascivious gaze on his good piece isn't making it any better. He puts his hand on your back again, without realising it your breasts are exposed. The bra...it doesn't matter.

He exhales loudly, he can't remember how many times he's wanted to undress you since he met you. His beloved, his heart, his curse, his everything. Make you his. Bite, lick, kiss, sweating together, feeling your pussy wet around his cock. Hearing his name while coming because of him. His mind races, each thought more urgent than the last. This is it. Finally. You’ve said yes, you’ve chosen him. You love him back, and it's everything he’s ever dreamed of. That thought ignites his desire even more, the last bit of restraint crumbling away in his mind.

His body presses against yours with a new intensity, and he can barely think past the feeling of you beneath him, in his arms.

His tongue licking over your nipple before enclosing his mouth around your breast. You whine softly, his heat radiating off you. One hand come over to your other nipple. His finger brush softly over it before squeezing it. You arch your back and whine again. The feeling of both nipple begin stimulated is making your pussy pulse in anticipation. You want him inside, now, fuck the foreplay. You're wet enough to take him in.

“Sy...” you want to say tell him, but bites down making you gasp, trailing off. You could come in any moment, you started to moan. Finally he lets one nipple free.

“So ready...” he whispers, fingers reaching your panties drenched. Sylus coos, his thumb pressing against your clothed clit to rub firm circles into the throbbing bud. You glare at him. His finger slipping beneath the fabric. Playing around you entrance, then one finger finds your warmth, you gasp loud at the sensation. At this point, your body is burning with need, every nerve begging for him. The motion of his finger, trying to find you sweet spot is driving you inside. You move you hips against his hand, trying to get more contact. He only laugh and lick again over you nipple.

A second finger is added, stretching you, you moan harder. His finger curls inside you and then...

“Sylus” you whimper, he hit you g-spot. A sharp wave of pleasure courses trough you again.

“That's it” he kiss you with hunger, while thrusting his finger inside you. You hold on his shoulder, opening wider you legs to give him more access. You don´t want to come, no yet, but if he continues like this. Sylus feels you tightness around his finger. Like he said, you not allowed to stop him. You moan and whine against his lips.

“I'm close...“ your words are a pleading gasp, your body trembling as you teeter on the edge. He smirks, his pace unwavering.

“Don't hold back“ he growls, low and commanding. You feel the pressure building inside you, the tension prolong. You can barely breathe. His kisses paired with the feeling of his other hand on your hard nipple with the frenetic rhythm of the finger is way to much.

“Sy..” you voice breaks as the tension snaps and you come uncontrollably. You body shaking in waves of pleasure. Sylus's finger still inside dragging out the last bit of release. When your breathing begins to steady, he withdraws them. His face is buried in you neck, his breath hot on your skin.

“I want to hear more of that.” Before you can even think of a reply, Sylus removes you panties and then his boxers. You gasp when you see his cock standing hard, long and thick. You bite you lips and you swallow nervously at the sight. Sylus stroke his cock his eyes not leaving yours. “Is time for the main course.”

He positions himself between your legs again, running his fingers over your entrance again before placing his cock. You moan as he thrusts his cock between your folds, slowly. He is so big. Your eyes flutter close, taking all the sensation in. Is overwhelming. Sylus gasp too when his cock is half way inside.

„Breath for me“ Sylus whispers, his breathing is growing heavier by the second, forcing himself to hold back from just thrusting his cock into you too hard. You try to relax your walls, you breathe out.

"Take it slowly, kitten", his voice slow and deep in your ears. He's trying to pace his breathing as well, but it feels so fucking good. His thumb stroke your cheek, and place a soft kiss on your lips. He started to move, softly to adjust in the new sensations, of being inside of you. For the first time in lifetimes. Sylus breath is uneven, hips rocking into you. Nails clawing down his back as you try to steady yourself, his face against your neck, growling, no, moaning lowly. Harder.

“Sy..Sylus” you moan. “More...”

“Sure about that?” You nod desperately. He shifts and his cock hits you deeper, setting fireworks on in your brain while you moan so loud, that you swear the other in the dinning room could have hear you.

“Right... there.” Sylus smiles, capturing your lips once more in a hungry, passionate and deep kiss. Your tongues play, licking each other. The desire you feel is far beyond what you've ever felt with anyone. You feel like you could devour him, a violent thought that might even make you want to shoot him again. Tear out his heart of his chest. You discard the violent idea of hurting him.

You hug him closer with you legs, his cock slamming in a delicious rhythm. The lascivious sound that emanates through the silence of the room, the rustle of the sheet under your skin, the slight creaking of the bed as Sylus thrust his cock inside you, a symphony that you wish would not stop.

Each movement, each shift of his body against yours, sends a wave of heat through him, making it harder to stay composed. His muscles tighten with every gasp and every whimper that comes from you. Your fingers pulling at his silver hair, it's like adding fuel to the fire. And when you react, when you respond to him, it sends a surge of satisfaction and longing that almost overwhelms him. Sylus knows he’s on the edge, his cock twitch inside you, becoming even harder.

“Sy- Sylus,” you moan, pulling his head up to kiss him. He returns the kiss just as hungrily as you are. “Gonna cum...ah, pl..please”

“Come- come for me” he says brokenly. He pushing his thumb into your mouth. You suck obediently, eyes closed to feel the comfort of his skin, losing yourself in it. Sylus groans. You squeeze him. You feel the orgasm bubbling inside you, the tension before the sweet fall. You want to hold on to it. “Come with me...” You open your eyes. What did he said? You meet his glowing red eyes. He pick up the pace, intensity growing inside him. Hammering into you g-spot at every thrust. You hold onto him and the sheets even tighter. A little more, just a little more.

“Can I...?” he started, driving into your harder, near to explode in any second.

“Yes... please...” you nod eagerly. “I...” As if you had uncorked a shaken bottle of champagne, the orgasm reaches you in a bliss. Your body shakes and trembles. A few seconds later, Sylus follows you with a long growl, pressing his lips against yours, sharing that sweetly overwhelming moment. His hot cum spreads inside you, Sylus doesn't stop, he continues to move inside of you slowly. His lips pull away and he leans his forehead against yours,

When you open your eyes, the adoration in your stare was so palpable. He intertwining his fingers with yours, guiding your hand towards him, leaving a soft kiss on the back of your hand.

You two stay silent, breathing still ragged and coming out in bursts. For some reason, you still feel heat, desire in your body. It hasn't been enough. You want more. As if he could read your mind, Sylus smiled.

“We can do this as long as you like, kitten,” he says, his voice a gentle, warm promise. His eyes sparkle with amusement as he kisses your cheek. You smile at his words.

The night stretches on, the two of you lost in each other, pausing only briefly to share sips of the forgotten wine on the table. One by one, the candles burn out and with that a new day begins.

Your mind drifts, basking in the warmth of the memories from the passionate night. For a moment, you forget that you never told him how you truly feel—but that’s alright. There’s time, you remind yourself with a small, hopeful smile. This is just the beginning, and you know deep down that there are countless moments ahead to share your heart with him.

Exhausted but content, you fall into a peaceful sleep in Sylus’s arms. He stays awake a little longer, watching you with a soft, almost reverent gaze, his heart full. Only when the first light of morning filters into the room does he finally close his eyes, holding you close as sleep overtakes him.

[saixria]

The ICHBW live stream animatic is hitting me hard hours after the fact I’m not a crier but I’m actually tearing up. Now I can fully articulate what I love about Athena’s part. Athena’s character came together so well I love it and I think the visuals combined with a day more of thinking + discussing with friends really helped me better understand everything. Those last 90 seconds of ICHBW was the BEST PART OF THE ENTIRE SHOW. Ridiculously long Athena character analysis under the cut which quickly devolves into thematic discussion lmao

First of all, the expressions they have on the animatic makes it abundantly clear that ody and Athena weren’t separated. HER SMILE!! HER LIGHTNING SCAR!! ODYSSEUS’ EXPRESSION SOFTENED TO A SMILE AFTER GETTING OUT OF QUICK THOUGHT!! Odysseus definitely pieced together what she did for her right then, there’s no other reason for Jorge to show Athena showing Odysseus that scar otherwise. It’s like they immediately slid back into place like puzzles pieces even after 10 years. They’ve been changed in completely opposite ways. Odysseus the mortal has been turned to be less human, more ruthless, while Athena the immortal goddess has been turned to be more human, more empathetic. The latter partially because of Odysseus. Tbh Athena ever showing her face to Odysseus after My Goodbye and saying “I can’t help but feel like I’ve led you astray” is as close to an apology as it’s gonna get LMAO. The unresolved WOTM melody in the end is actually because their story together hasn’t ended, it’s because Odysseus doesn’t have to be her warrior of the mind anymore.

I once said that open arms is more than mercy, but treating the world kindly to lead to kinder souls down the road, to change the world for the better, and it holds true even more now. Odysseus is too tired for this. He’s just a man, he knows a better world is possible but he can no longer be a part of it. He can’t witness the better world in his short mortal lifetime, he just wants his happy ending with his wife. He doesn’t want to be Athena’s warrior of the mind anymore, and that’s ok. And yet, and yet he knows it is possible. He needs it to be possible, and he needs Athena to make it possible. Athena accepts it with a soft “very well”. That doesn’t mean they won’t ever see each other again, just that they no longer have that obligation of mentor-student, they’re just two old friends. They can rebuild their relationship slowly but surely with what they have.

Telemachus is the Warrior of the Mind now (AHHHHHH HIS ATHENA CAPE AND HELMET I LOVE HIS UPGRADE). From here, Telemachus and Athena are gonna truly fulfill Athena’s mission of “making a greater tomorrow” except it isn’t to turn the world more logical and ruthless like she once thought, but to make the world more empathetic and kind — she’s finally found what she was fighting for. Perhaps this is why the WOTM melody in God Games ended with Legendary — Telemachus is the new warrior of the mind. Odysseus fought for a world where his son can be safe and grow up kind and he succeeded in that. Far from war, Telemachus grew up able to afford kindness and empathy while also retaining the ability to be ruthless in face of obstacles — and now he can use this to change the world to Athena’s new ideal — where people held each other with more empathy — as Athena’s new Warrior of the Mind.

Athena’s verse existing is a sign of her reconciliation with Odysseus (in character might I add! I don’t think they’re the type to express their affection so easily, they know each other so we’ll that they just know), so instead her verse is there to expand on the show’s theme as I will be talking about next.

I absolutely adore the depth Athena’s ICHBW verse adds to the thesis of the show. I’ve always thought of epic as mostly being about how it was best to strive for a balance between ruthlessness and open arms, but circumstances only allowed Odysseus to become ruthless which was tragic, while different circumstances allowed Telemachus to be both. But it’s not just that. Sure it’s good to have a balance between the two ideaologies but what if we could make a world where ruthlessness wasn’t needed at all? What if we could be unconditionally kind and be treated with kindness in return instead of taken advantage of or hurt? Where, when given the choice between open arms and ruthlessness, people would choose open arms? It wasn’t possible for these characters, but it could happen someday in the future. If Athena and Telemachus can work towards that future so can we. So should we, considering we’re in a much better place compared to them. A friend of mine said this was a call to action to us in the present and I just. Have not been able to stop thinking about it.

Athena has always thought in “maybes” about her purpose. from WOTM to My Goodbye we’ll be fine to ICHBW. “Maybe one day…” -> “One day you’ll…” -> “maybe if I…” -> “what if…” it’s like she’s representing the future, the “greater tomorrow” of what could be, because as Odysseus said, she’s immortal and she will live to see it and change it. Circe saga has something similar — “Maybe showing one act of kindness leads to kinder souls down the road”, “maybe one day the world will need a puppeteer no more, or maybe one day the world will need a puppeteer more”. The connection of these hypotheticals “maybe one day” with a future world that could possibly be changed for the better by spreading kindness and open arms extends from Athena’s songs to There are Other Ways, one of the only times in the musical where, when Circe could choose between ruthlessness and mercy, she chose to show mercy and help them in hopes of spreading kindness to the world and making the world a slightly better place — aka a scenario that showed how unconditional kindness, “open arms”, could work, for kindness isn’t the inability to be cruel but choosing kindness even when you have the choice not to be. “Kindness is brave”, like Polites said.

Because of her immortality, Athena is the character who’s most connected to “time” in the musical with her time-related abilities like “time dive”, making people think quicker, having a domain essentially outside of time and space… She doesn’t just have a connection with the future but also the past. As someone who lives forever, she is the one who can connect the past, learning from past mistakes, to change the future: “To fall is to learn one way”.

Speaking of her connection to time, You can almost see that at one point Athena was the narrator of the story (see cut songs: full speed ahead demo and Ismarus) like Hamilton’s Burr: simultaneously an observer and a participant of the story. In the animatic of ICHBW she’s overseeing everything happening from her hour glass, wondering out loud from a meta perspective about the themes of the show, hypotheticals of what a different story, a different world could have looked like, and bringing everything to a close. It really feels like Athena is who’s gonna “live and tell their story” as per Hamilton, as always has been the case from burrthena narration days of Old Epic. She’s not just the bridge between the past and future but also between the story and the audience, by bringing up these themes on a meta level to directly tell the audience to make the world a kinder place, because we have the choice, unlike Odysseus who can only choose to accept his actions and move forward. Because she lives forever she can carry on their memories forever. She can keep telling their story over and over again to remind herself and others to change the world by showing empathy and open arms, and she will keep telling this story to us until ruthlessness is no longer needed in the world. The world where this is possible is not theirs but OURS. It is WE who have the chance to choose between ruthlessness and open arms and the show is telling us that, when we have this choice and aren’t forced to be ruthless, to always choose kindness and empathy. Like Circe, like Telemachus. So that we may impart some kindness unto the world and make it a better place.

“Maybe one day we’ll reach them and we’ll make a greater tomorrow then they’ll see I know we’ll change the world cuz we are the warriors of the mind!” �� yes, they have reached us. We are all also warriors of the mind, doing our part to change the world for the better, to be kinder.

To me, one part of Athena’s character that’s never clicked for me was her motivation in WOTM. “Make a greater tomorrow” “we’ll change the world” why? How? What’s the point of including this in her song when it’s never come back up again? Now with the ICHBW verse, everything is tied up with a beautiful ribbon. She has always wanted to change the world for the better, and now she’s finally found out how — to spread empathy and Open Arms — and it’s inspired by the desire to help her friends, to prevent what happened to Odysseus from happening again, honoring him, just as how Odysseus tried to embrace Open Arms to honor his dead friends’ memories.

All in all, I’ve grown to genuinely really really like Athena’s verse in ICHBW. It’s so short but so effective at conveying so much. I hope that made sense bc it’s more a compilation of thoughts I had rather than a structured essay. Perhaps one day I will restructure this into a proper essay but not today for after all I’m- *gets shot

[bobacupcake]

bobacupcake goty 2024 list

i dont know if all of these came out in 2024 but i played+finished them this year and i really liked them. also most of them are on sale rn

1000xRESIST - probably my goty. never played a narrative game quite like this one and is going to stick for me for a looong while. might be my favorite game since i played outer wilds (for different reasons, so not "if you liked outer wilds you would like this" but just. its very very good. ) 11-15 hours

another crab's treasure - just an incredibly solid soulslike. had a lot of fun playing this, characters and enviroments ruled, and i really cannot emphasize enough how good a soulslike it is. the aggrocrab team nailed this one. 14-22 hours

HalOPE - real sweet rpg. loved the characters loved exploring loved each area. if you like rpgmaker games really cant recommend this one enough really lovely all around experience. 4-ish hours

animal well - loved this one. great as a standalone metroidvania and then lets you go even further than that if you want. and really feels like wherever you decide to stop diving into it is a perfect place to stop. 7-17 hours but maybe more if you want :)

death of a wish - sequel to LUCAH born of a dream but is also playable as a standalone game. action rpg that takes some real cool swings. challenging (in a good soulslikey way), had a lot of fun with it and the characters and world. 7-ish hours (but more if you like cause theres a challenge mode !)

in stars in time - ok technically i finished this game on december 29th 2023 but like. come on. yougotta. you gotta play it. its good. trust me. its good. 20-40 hours

soul of sovereignty - ok wait if im including isat i also have to include soulsov since i also finished it december 2023. i think actually i finished it november 2023 i think. its ok were doing award show rules now. its really good. its really good. visualnovel , just the prelude for now but watch out! 2-3 hours

[the-haunted-office]

Me me me!

Considering I don't rp smut at all...

It makes me uncomfortable, for one, but mostly why I don't rp it is because I don't want it to become the focus of a ship. I've had this happen before in the past, back when I did rp smut - too many people wanting to rp smut all the time and nothing else and it frustrated me, and just got boring to me, so I don't want to rp it at all anymore. :/

I don't mind discussing our muses' sex lives and talking about how things might have gone during like, their first time together and things like that, sending Sunday memes in to each other, that's all fine, it's just the actual roleplaying of smut, writing it all out step-by-step that I don't want to do. It's tedious and boring to me and I just... don't want to get trapped in that whole "our ship is going to be nothing but smut from now on" thing again.

Plus I had some people a long time ago become personally attached to me over it and that was really uncomfortable, so I've just decided to say no across the board to it.

But everything else? I'm all for it and I'm here for it! Bring on the fluff and angst and character growth and everything else! x3

I don’t just ship for smut. 

When I say ’ I ship this ’, It’s not due to the fact I want to see yaoi or any form of smut between the pair. It’s for all the other great things. I like to build relationships. bonds, trust. And hey, the heart wrenching stuff too! That trust can be broken within seconds, shit can hit the fan, and hey let’s throw in some angst in there that will initially make our ship stronger. Sure, smut makes any roleplayer go Ajdjsdshksdjhjf but I like everything else that comes with it, the fluff, the simple moments. Tagging things that remind me of that ship, sending sweet asks or just even normal asks to build on our own characters as well as their relationship. 

That’s how I define my ships. 

[kyri45]

Hey! Love your comics and your art style!

But I am curious how you know how to format your comics? Like knowing what dialog to put where or to put a pause or how to space out the dialog so it's not rushed, if that makes sense?

I've tried making comics before and my issue was always trying to cram too much dialog into some of the panels, or being able to tell the story I want without lengthy dialog.

On a STORYTELLING and WRITING pov, it's better to act the scene in your head like it's a movie. Would an actual conversation be this long/short? It s technically better if you talk it out. Like you literally say the lines of dialouge your self. You then:

1. Hear how the dialouge sound like (would that be something that a person would say naturally? Or does it feels,ironically, "scripted"?

2. Hear how LONG the dialouge is (like you can time yourself and see how long that is)

3. Understand when to put pauses/make more panels. (Because YOU know which parts of the dialouge are more important, and your voices most likely will reflet that by being higer in tone or volume. So something that is more important might need a panel itself, to reflect the importance.)

On a VISUAL and ARTISTIC pov, you can be really creative with how position your dialouge, but a general rule: understand if visuals are more important or if what is said in the dialouge is more important. You can t have a super lenghty dialoige with a lot of visuals

So:

Either have a lot of info/dialouge dump, but keep resctrictive visuals (show just a details, you can also don't show faces and show like, other details of the environment, or make the characters very tiny

have like ONE super important line and a LOT of space for the visual (a close up of the eyes/mouth, or an expression

In the between, you need to balance 50% space for dialouge, 50% for the visual elements (character on the right, text on the left. Or top and bottom as well)

[thewertsearch]

PCG: IF YOU SEE KANAYA IN DEATHBUBBLE HELL, PLEASE TELL HER I'M SORRY I LET HER DOWN. PCG: AND IF YOU SEE SOLLUX WANDERING AROUND TOO, LET HIM KNOW HOW ASHAMED I AM I DITCHED HIM LIKE A COWARD BECAUSE I HEARD A HORN GO HONK. PCG: AND TEREZI PCG: IF YOU SEE HER PCG: COULD YOU GIVE HER A MESSAGE FOR ME? PCG: TELL HER THAT PCG: ACTUALLY PCG: NEVER MIND. PCG: I'LL PROBABLY BE ABLE TO TELL THEM ALL IN PERSON SOON. PCG: SEEING AS AN IDIOT IN MAKEUP IS ABOUT TO ROLL OVER MY NAKED SQUEAL PIPETTE WITH A ONE WHEEL DEVICE. FGA: Sollux Is Okay FGA: Hes With Me Right Now PCG: HOLY SHIT PCG: YOU'RE ALIVE FGA: Hold On I Really Need To Change These Clothes

Have I ever mentioned how much I love Kanaya? Because I love Kanaya. Even before her vampirism, she was always a ray of light in the darkness.

Also, reading this paragraph has reminded me that we already know why Sollux shouldn't be able to see the Green Sun.

HE'S BLIND, REMEMBER?

I assume his dream projection just didn't inherit that trait. No idea why he can only see it with one eye, though.

After the Gamzee/Tavros fakeout, I don't have a clue whether this one's supposed to be a Dream Bubble - and frankly, I'm not even sure if I want this to be Gamzee's ghost.

Up until recently, I’ve safely been able to assume that a character’s death would mark an end to any threat they represent, at least until they get resurrected. With the introduction of these Bubbles, though, characters can now continue to affect the plot after they've been taken off the board. In the case of our heroes, that's obviously a good thing, but we've got plenty of characters who were taken off the board for a reason.

Now, Vriska’s ghost is already mellowing out, and Eridan’s not resourceful enough to pull anything crafty – but Gamzee’s ghost? That’s one we should probably keep an eye on.

TC: it's all your fault.

Why? What did Dave do?

...oh, right, right, the ICP video. Based on Gamzee's comment about not having a 'good pie' for a while, I think Dave might have triggered Gamzee's crisis of faith just as he started to go cold turkey. This really was a nightmare scenario for the poor guy.

[darkficsyouneveraskedfor]

Checking His List

Warnings: stalker behaviour and other dark elements. Not all kinks or triggers are tagged. My username actually says you never asked for any of this.

Summary: Your shopping trip turns hectic.

Character: Curtis Everett

Day Twenty-Eight of the December Daze Challenge.

Prompt - the mall is packed and we keep running into each other.

Note: As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging.

While it’s below zero outside, inside the mall, the air is sweltering. The flurry of maddened shoppers searching for gifts churns the air with body heat and a wall of noise. You want to cover your airs and shrink down to nothing. You hate crowds but you have a list and you made a promise. 

You laid it all out meticulously. You have a strategy but you’re not sure how much that will help given the furor all around. You set off to the first store on your list. The toys will be a lovely surprise at the community lunch. You know the kids won’t be getting much at home. 

You squint at the paper. You made notes of Diana’s every specification. She’s very particular but you imagine that’s why she runs the children’s centre. 

You look up as you approach the east entrance of the department store, just in time to avoid another shopper. You stutter step and back up as you wait for the man to pass. You only realise then that he isn’t moving. He’s standing entirely still amidst the crowds, though it might only be because he saw you about to crash into him. 

“Oh, sorry,” you murmur, not sure he can hear you above the Christmas carols and rowdy shoppers. 

He doesn’t reply, doesn’t react. You hesitate and step around him, issuing another apology as your stress burns even hotter. You’re really no good with the general public, worse in peak hours, and you’ve only just gotten started. 

You don’t come here often. It takes you some time to get situated and find the right aisle. Oh, those are the art sets she wanted, and the Barbies. Hum, they don’t have many within budget. Oh, and the little cars. Those are cute. 

You push your cart, only an inch before you rear back, only then seeing the man standing further down the aisle. You’re not sure you need anything else there, still you might like to check if you can limit how many stores you need to run around to.  

The man doesn’t look at you, he doesn’t even really seem to be looking at the shelves. He’s just sort of there. Then, before you can muster an ‘excuse me’ or anything, he turns and marches off. The way he walks is stiff and straight and staunch. 

As you slowly roll forward and refocus on your list, he sticks in your head. Do you know him? There was something familiar about him? Could he be one of the parents from the children’s centre? Would he be here if he was? 

You peruse and find the selection lacking. You head for the checkout and wait patiently. The line zigzags around shelves of more merchandise, shoppers continuing their spending even as they wait to get their grand total. You peer around dully, unseeingly, until a dark spec catches your eye. 

It’s that man again. The same one from the aisle. His face is unreadable. He wears a beanie and a grey jacket that should help him blend in but for whatever reason, he sticks out. 

He’s look at you? Is he? 

You crane to see behind you. The sign calls out the next available till. It’s your turn. You peek back again but the man is gone. You’re paranoid. That's all. 

You go up and unload your cartful and unfold a reuseable bag. You grabbed only your biggest bags for today. You expect it will be an awkward journey home with all this. You pay with the company card Diana lent you and neatly fold away the receipt. 

You’re certain to leave your cart in the pen meant for them and head out the west exit. It’s closer to your next stop. The bath and body store is fragrant, the air so dense with aroma that it makes your head foggy. 

You buy the cute little bottles for kids; the bubble baths and seasonal candy cane scents. A mini scrubbie for each too. As you put it all in the small basket offered to you by an associate, you look up to the tight corner ahead of you. 

A mother and daughter browse the floral assortment of candles and behind them, a man stands, undistracted by the shelves and tables of product. He watches you. Your eyes meet and you wince. It’s him! That’s so strange.  

It’s one thing to keep running into the same person. It happens in a mall, but you haven’t seen him buy one thing. You haven’t even seen him look at a single purchase. 

You turn and curl around the other side of the table of 3 for $15 candles. The checkout line is twice as long as the previous one. As hike up the bags from the department store. Why did you, the only person without a car, offer to do this? Well, for once, you wanted to feel useful. 

You sense movement. A group of girls flutter up behind you, gabbing about if they should get coffee or just go look at shoes next as they get in line behind you. Then another shadow. Darker. Taller. 

The man passes closely and stops right by you. Your heart is racing. It’s not him, it’s the crowd, the smothering press of people looking for soaps and lotions and candle melts. 

He bends and reaches for something on the floor. He brings up the soap bottle with the reindeer antlers and holds it out. It must have slipped out. You accept it from him with a thanks. These baskets aren’t great for the smaller items. 

He’s already walking away before you can get a look at his face. His grey blue eyes are stamped in your mind but the rest of him remains obscure. You shake away the odd encounter and shuffle forward with the line. 

You tuck the smaller bag of soaps and such into one of your bigger bags and continue on once free of the shop. You don’t expect the dollar store to be an easy task, but a necessary one. You need wrap and few smaller stocking stuffers. It won’t be your last stop but it’s closeby and you don’t want to double back if you can help it. 

You pause to check your list as you sidle out of the way of the dollar store entrance. Alright, that, that, that... You lift your head and push the small cart through the first row. It’s nice to have the weight off your arms, but you’ll have to pick all that up again. And more. 

As you come to end of the first aisle, the foot of the cart rams to a halt. You squeak and look up. That man! His hands clamp onto the end of the cart and you blink. 

“I’m sorry, sir. I didn’t mean to.” 

He just stares and looks past you. He steps around the cart and as he comes along the side, you shrink down, shying away as you expect the worst. Instead, he inserts himself between you and the cart you hear rolling down after you. He stays there, a barrier between you and the unseen shopper. That’s... strange. 

You scurry on frantically. You’re jittering from it all. The man, the hordes, the assault of lights and noise. You need to get out of her soon. 

You get as much gift wrap and bags as you need and use the self-checkout. You’re grateful for that modern convenience. Your social wick is burning short. 

You park your cart, take your bags, and go. As you emerge into the mall, a man walks full force into you, his wife narrowly missing you with her baby stroller. Neither of them apologise as you struggle not to topple. You lift the bags higher with all your strength and forge forward. 

You go to the end of the bench where a few teen boys sit with their skateboards. You turn your back to them and face the mall map. You take a deep breath and hold it in. You’re about to crack. This was a big mistake. You’re barely strong enough to go get groceries on a given week. You just wanted to help! That’s why you volunteer with the kids, even if you mostly hide in the background. 

Your eyes are glassy as you fight back tears. You release your breath slowly. It hurts. The panic attack needles hotly in your forehead and ears. 

“Scram,” the deep voice cuts through the hubbub and the snap of dry fingers adds the punctuation. 

The boys behind you quiet and you turn your head to watch over your shoulder as they grab their boards and hurry away. The man in the beanie sits, knees wide, and leans his elbows on his legs. He curls his shoulders and looks around like a guard dog. 

Your skin tingles as you sit only a few feet from him. You should go too, before you lose all your nerve. Your bags crinkle as you hook the handles around your hands. 

“You don’t gotta go,” he says. 

You wince and turn to him. He keeps his gaze aimed at the closest store. You peer around. 

“Busy,” he comments. 

“Um, yes it is,” you agree. “Thanks, er, I got more to get.” 

You gulp and turn away. Your bags hit the bench as you flee. That was weird too. Or maybe you’re just unbearably clueless. It seems like he was trying to give you space. That he chased away those boys deliberately. But why? 

Flavoured lip glosses, sparkly nail polishes, socks themed for the most popular kids’ shows... you check the marks off your list in your final haul. Just one more thing. A few of the boys like to play knights but the foam swords are all whittling away from play. 

You go down the next aisle, your cart doing little to part the sea of people. You can see what you need. The toy blades and even a few shields. You try to inch forward as an older man turns to the other shelf, but another woman fills the space before you can. 

You wheel back and wait. You just need to get in and out. The woman finally moves and as you go to roll ahead, another cart noses into yours and squeezes into the space. You sniff and pull back again. 

You stare helplessly. That wasn’t very polite but she doesn’t seem to notice. She takes out her phone and ignores you and the shelves. Is she even looking? 

“Hey,” the gritty voice chills you as a large hand rests on the front of your cart. The man in the beanie steps between you and that woman, “you should apologise.” 

“Huh? What?” She keeps her phone up but you can’t see much else. 

“You hit her with your cart. Say sorry.” 

“Who? What are you talking about?” 

“Apologise,” he peels his hand form the cart and jabs his thumb toward you without looking. 

The woman huffs then leans to see you. You give a hapless shrug. Her eyes scan up the man’s dark jacket and she shifts. 

“I-- I didn’t realise,” she clears her throat. “I’m sorry, I didn’t mean to.” 

“Maybe if you cared more about what’s going on than your phone,” the man snarls, looming over her until she backs away. She turns and grabs her cart, nearly hitting another as she rushes away. 

He lets go and turns back, marching past you without a word. You can’t speak either. You’re burnt out. You’re going to get the last of it and go. 

You finally get your turn and grab a couple of swords, each with a different colour handle, and some shields. You put it in your cart and circle the perimeter of the store to avoid the claustrophobic aisles. The checkout line however cannot be avoided. 

You step into the narrow snaking lane where you are to wait your turn. As you lean on your cart, there’s a brush against your back, and another, and another. The garble of voices behind you drone with the rest of the overwhelming noises all around. You sink your head down and cover your ears. You can’t take it anymore. 

You’re jostled again as a man laughs loudly and his elbow jabs your back. You gasp and turn to see what’s going on. A black shape moves decisively from the back of the line, cutting along the edge without falter.  

The man in the beanie steps up and extends his arm between you and the man after you, the one who keeps knocking into you. He pushes him calmly away and inserts himself there, back to you as he crosses his arms and plants his feet wide. 

“Hey, dude, you’re butting--” 

“Pay attention,” the man growls. “You’re being a nuisance.” 

“Dude, I’m waiting--” 

“You’re bothering people. Too loud.” 

“Whatever. You a cop or some shit?” 

The man doesn’t answer. He doesn’t move either. Even as the line ahead of you does. You roll with it and he keeps his barrier in place. You can’t help but be thankful for the unrequested buffer. 

You pay, get your receipt, fill up your last bag, and push your cart into the corral by the door. You’re not going back through the mall.

Before you can back up, another shopper shoulders by and snatches the cart you just disposed. You stagger back and watch, dumbfounded. What is wrong with people? 

Your ears are ringing and your eyes watering, and you didn’t factor in being physically battered by a shopping trip. This time of year is horrid. It’s chaos. People are animals. Just like you always knew. 

Your arms strain as you clutch your bags and make a slow progress through the automatic doors. You just need to get to the bus. You stop just to the left of the doors and try to adjust your grasp. 

Before you can, the weight is lifted and something rough brushes around your fingers. You are too stunned to resist as the bags are unhooked from your hands. You reel around and face the thief. You’re an easy target. 

“Where’s your car?” It’s that man in his beanie, with the grey eyes and the dark stubble. 

“I-- I don’t--- Who are you?” 

“A good samaritan,” he rasps.  

“You don’t have to--” You reach for the bags and he steps out of your reach. “I don’t have a car.” 

He stares at you, “I can walk you.” 

“It’s fine, the bus stop---” you nod towards the street. 

“Bus...” he mutters. “Dangerous. With all this.” 

“It’s fine,” you insist. 

“I have a truck. I’ll drive you.” 

“You don’t-- why?” You sputter. 

He looks around. He’s quiet as his eyes scan the area. “Merry Christmas.” It’s not a very cheery tiding. 

“Oh, but--” 

“Curtis,” he says. 

“What?” 

“So we’re not strangers. I’m Curtis, and you?” 

You heave and give your name. “I really can’t let you do all that--” 

“But I’m going to,” he says and turns away. You have no choice but to follow him. 

“Wait--” 

“I don’t like crowds either,” he intones as you scurry to keep up with him. 

You want to say you don’t think anyone does but you’re still reeling, as much from the hectic experience in the mall as from his sudden act of... kindness? 

He stops behind a slate gray truckbed and slips the bags onto his wrist. He fishes in his pocket and there’s a loud click as it unlocks. He pulls open the back and loads your shopping under the heavy cover. 

“You have a lot of kids?” He wonders. 

You shake your head, “I work at the community centre. Volunteer, actually...” 

He nods and shuts the back of the truck. You wring your hands shakily and stare at the silver lock. You frown and look up at him, finding him staring at you already. 

“You don’t trust me,” he reaches into his jacket and takes out a canister. “Well, if I make a wrong move, press down.” 

He holds out the long black spray can. You shake your head. What is it? 

“Bear mace. You can keep it.” 

You furrow your brow and continue to gape at the inexplicable offer. Why does he have this? 

“Can never be too safe,” he takes your hand and places the can in it. “Make sure those toys get back safe for those kids.” 

You wrap your fingers around the metal and he lets you go. You look down at it then at him again. You’re so confused but too tired to argue. You suppose it is the season for giving, even if he doesn’t seem the festive type. 

“Anywhere else you need to go?” He asks as he takes his keys out. 

You shake your head and back away. He watches you for a moment before he moves himself. He walks up on side of the truck and you the other. The door locks thunk loudly. 

Well, whoever Curtis is, can he be any worse than the general holiday shopper? 

[wolfgirlguts]

Okay this is actually like. A really difficult question.

Because there's definitely vore that doesn't involve the digestive tract. There's definitely vore where the pred is not organic, and where the pred is not sentient.

And yet it really feels to me personally that if the ship is both those things it's inherently more a vore thing. Which I guess makes sense, since it's straying further from a situation most people would reflexively apply the label of "being in a vehicle" to, and further towards a situation we might first apply the label "being ingested by something" to. But even then we might be closer to a parasite or symbiote situation which certainly can be, but definitely isn't always, vore.

I fear it's gonna sound like a non-answer but vore is such an expansive kink and so much of it is about intent and tone.

Like there's things that "feel like a vore thing" without the intent to make them a vore thing. And those things usually involve clearer markers of a very standard idea of ingestion. For example, a character gets eaten in a situation that's meant to be solely for horror, and then someone finds it hot.

And then there's things that probably wouldn't register as vore if they were not made with the specific intent and tone to be vore.

I think the spaceship thing can be both. You can have a spaceship where people ride around in the stomach and it's making gastric noises and people keep talking about its biology in detail, but the creator of it has never heard of vore. And that feels very much a vore thing. And you can have a fully inorganic spaceship with a near-future plausible clean interior but whose AI is constantly saying things to the crew like "I like having you inside me" and the author is kinky about it. And that feels very much a vore thing, too.

I suppose what I'm putting forward is, it's the density of factors present which point to vore balanced against the tone and level of intent. And the more the initial description of the situation feels like it fits in a different box (standard sc-fi travel, piloting a mech, etc.), the more of those factors need to be present (the ship pred-teases, the mech salivates and you get in through the mouth, etc.) to make it feel like a vore thing.

Conducting a social experiment to determine exactly how organic a living starship can be before piloting it becomes a vore thing.

[raven-at-the-writing-desk]

So for new year cards...

Jack SSR is actually so cool; I like it. Malleus SSR is beautiful and all, but he really reminds me of a bride in forced marriage tropes. 😭

[Referencing the Twst JP Jan 2025 schedule!]

Finally, some good fucking food for Jack stans 😭 Port Fest feels like so long ago… fbjssbdjjs I feel like I can’t appreciate his design as much as others can. I’m not into the skintight undershirt on a character as buff as Jack is, and I'm confused as to why his gloves are... like that??? But!! I do like his fluffly little boa thing and how enthusiastic his pose is. You can tell he’s really putting his all into the New Year Sale~!

Malleus got another new hairstyle (any hairstyle that's different than his default one is a win in my book www)!! I think it's a well-liked look among his fans; I already saw so many people commenting that he looks like a love interest in a reborn as a villainess isekai or something to that effect.

I also saw some chatter around the thin fabric that Malleus seems to have over himself. A common joke is that it's a "wedding veil", but given the traditional Japanese clothes everyone is wearing for the new year, it's more likely also a Japanese article of clothing. A friend theorized that it's a 被衣 (kazuki/katsugi), a garment worn over the head that fully covers the body. These are mostly donned by noblewomen to cover their faces when they go out--and that sort of makes sense, given that Malleus himself is a noble. How demure and mindful... I thought the veil could also be a frost blanket (you know, to protect the budding flowers from the cold)?? But I'm not entirely sure right now; maybe the vignettes will give us more context!

A friend and I were speculating as to what flowers might be featured in the initial card art and the conclusion we came to was ume (plum) blossoms. The color and shape are similar, and they're a classic flower in winter anime. Something else I noticed was that the same flowers seem to appear in Sebek's New Year Attire from two years ago! If you compare Malleus and Sebek, you'll notice that the lighting is much warmer in Sebek's too. In fact, all previous SSR cards are pretty much like that, save for maybe Trey but at least Trey is shown to be in front of the shop. It really makes Malleus's card "stick out", since he's the only one that appears to be in a lonely and isolated location, just him and the plum blossoms.

On the subject of clothing worn by Japanese women! The same friend and I talked about Jamil's New Year Attire too. (Figured I'd throw this in here since I'm already talking about the other three 2025 New Year boys. Don't wanna leave him out, y'know??)

You can see that he has his hood up in the initial card artwork; my friend joked that Jamil's a newlywed. Why? Brides that choose to dress traditionally for their wedding days wear a wide white headdress/hood called a 角隠し (tsunokakushi), which covers an elaborate hairstyle like Jamils'/j. The "tsuno" (horns, as I'm sure you're all familiar with) in the name refers to the "horns of jealousy"; the tsunokakushi is meant to blanket the jealousy so she can enter her new married life at peace.

Of course, the shape, color, and context of the tsunokakushi is very different than what Jamil's got going on and the Twst team most likely did not intend for this comparison to be drawn, but I thought that this was interesting to share ^^ (*feeds Jamuil yumes this delulu cultural trivia*)

Aaaand let's close out with Floyd! The answer to his question is simple, actually. To put one's arm inside the kimono is just a very casual or relaxed way to pose. It suits Floyd and his attitude, doesn't it?

[cripplecharacters]

Thank you for the response! What would be some specific ways you'd like writers to include characters with profound mental disabilities? I don't want to include them as just a "hey look at this" prop, nor downplay how much their condition affects how they interact, and I don't really know how to get the balance right.

Hello!

That's very much a fair question - I'll try to go over as much as I can think of since this is probably my first and last opportunity to give advice on writing characters like this, so apologies if I include some things that weren't really mentioned in this ask.

Suggestions on how to logistically include a character with profound intellectual disability:

A profoundly ID person will spend the majority of their time either at home or in some sort of care facility since they will require 24/7 help. The easiest role to put them in is probably a family member of another character. I've mentioned on this blog before that the "ID characters always end up as the annoying younger sibling" thing is overdone, but none of these necessarily have to be true for this suggestion to work (especially not the "annoying" part). A non-ID character could have an intellectually disabled older sibling, twin, cousin, uncle/aunt, the sibling of a grandparent, etc. Seriously, a severely disabled person can be an adult, or even an elder. Just not as a parent since a profoundly disabled person can't consent (a lot of ID people very much can, but this is the one disability where your level of functioning is baked into the exact diagnosis - profound ID comes with the inability to consent/understand the consequences enough to consent). "They're a family member" is basically the easiest "excuse" to include a profoundly intellectually disabled in a story (and as a bonus you don't have to figure out how the other character would react to meeting them for the first time, since they probably knew each other for a long time already). If your story isn't about the profoundly disabled character and instead just features them as a character, it would be much easier to not make the other character their primary caregiver. It's simply a ton of work and the character wouldn't have time for fighting dragons and whatnot - it'd be easier to have the abled character spend time with the disabled character at home (or care facility, you can very much visit someone in one) hanging out rather than actually doing the caregiving part.

Another way is having the disabled character in some sort of high position - in real life there were quite a few cases of profoundly and severely intellectually disabled royalty. Depending on the place and time there might have been pressure to not let the public see them, but this wasn't always the case.

In fiction you can do whatever you want anyway, especially if you aren't including other kinds of ableism - and even if you are, there are still different kinds of ableism you can portray that aren't the "literally killing-the-disabled-baby/hiding them in some dungeon level of eugenics" kind. Maybe a rich family who cares about their image would actually be unable to shut up about their kid to show how "saint-like" they are for caring for the disabled - it is unfortunately realistic, and can be a potential way to have the character exist in public, not ignore ableism, and also not go the aforementioned literally-just-murder route that writers usually do to show an ableist family.

Now for including them as an actual character and not a piece of cardboard:

Warning; the bar here is somewhere in the Earth's inner core. If your character has a single characteristic beyond aggressive/loud/unmanageable*, they're automatically at the top of most complex fictional representation of severely/profoundly ID characters. Congrats. * - Some people are those things but, unsurprisingly, they're other things too. A lot of profoundly ID people can actually be completely quiet, BTW - you notice people who are loud because they're loud.

As with literally every character, you need to figure out what they like and not like. This can be quite literally anything, but try to think of the basic stuff. Do they have something they really enjoy eating (and conversely - something they refuse to eat)? Do they have some sort of comfort toy or object they don't want anyone touching (and maybe showing them playing with it with a different character could be a way to show how much they trust them)? In more modern settings, do they have a favorite show they always bug everyone to put on? Are they really clingy or do they hate physical contact (again, maybe they only enjoy it from a specific character)?

Keep in mind, you have to show this all in non-verbal manner. A profoundly ID person is probably not using any sort of AAC device (the most robust one I remember seeing right now was a low-tech one with "yes" and "no", but there are probably ones who operate on a larger amount of singular words). This is basically another opportunity for characterization - what do they do when they're happy - laugh, flap their arms, make sounds? - and when they're upset - scream, hit themselves, make different sounds? Obviously, you'd have to take other disabilities into account (e.g. many profoundly ID people won't move much, some might not be able to make much audible sound, etc.) but almost anything helps.

An important thing (concept?) I'll throw here is "total communication" which can mean different things in different contexts, but here I'll use it to mean "using everything you can to communicate with someone who cannot do so in a traditional way".

So for example, eye pointing can be used to figure out what the character wants. A change in breathing can be used to tell that a character got stressed. Throwing an object can be used as a hint that the character wants to play. Maybe them reaching towards person A means they want to eat, but reaching towards person B means they want them to sing a song for them. Maybe them making a particular face means they just had a seizure and need to be comforted. Whatever their "tells" like this might be, other characters who know them would probably be able to tell more-or-less what's going on - you don't have to go really in-depth, especially if it's a minor character, but figuring out the ways your character communicates with others will make it less prop-like.

Another characterization could be comfort objects. A lot of profoundly ID people are autistic (which I'll touch on later) and will have an object that they bring everywhere the same way that non-ID autistic people might. There's nothing really specific here, just another layer of "this character is a Person". Maybe they have a blanket they really enjoy chewing because the texture feels good or some sort of plushie they like to throw around because it makes a sound they find funny. Lots of options.

If you read some of these and go "that's a thing that a child would do" then you're not necessarily wrong. A profoundly ID adult might enjoy activities that primarily kids partake in. This is, I can't stress this enough, not the same as "mentally being a child". Otherwise, a whole bunch of adults on this very website would be "mental middle schoolers" based on the shows that they watch - but they're obviously not. A profoundly ID adult doesn't have the "mind of a baby" if their favorite game is throwing a toy, they have the mind of a profoundly intellectually disabled adult. Sometimes people assume that since ID people aren't mentally [incorrect age], they always "act their [actual] age" and essentially end up downplaying how much some people's ID affects them, when the point is that no matter what you do, you are your age. An ID character who is 26 years, incontinent, constantly puts their hand in their mouth, can't speak, whatever, is mentally 26 years old the same way that they would be if they had a wife and a mortgage.

For the last thing for this section I'll circle back to the assumption that all severely/profoundly ID people are loud, aggressive, etc. - as I said, some of them are (just like abled people). The thing is, this is not always an unreasonable response to being unable to communicate with the people who are caring for you. If you had a pressure sore but couldn't explain it to anyone you'd be pissed off and screaming too. That's an extreme example, but still applies. If someone is severely stressed out (for an abled person, this might be inheriting a ton of debt, for a profoundly ID person it can be a change in daily routine), they can lash out. It's an unpleasant but very much human reaction to have, even if what's behind the ID person's behavior is significantly different from what an average abled person might consider "a good reason". So I guess my advice is, try to show some empathy to the character, even if they genuinely are loud and/or aggressive. Intellectually disabled people - including the profoundly disabled ones - aren't some alien species that is just mean and hates their caregivers for no reason, some just can't process their feelings the way an abled person might because of their disability. That's not to say that caregivers aren't allowed to feel frustrated - because they are - but that very severely disabled people aren't purposefully evil. As mentioned in the communication part, all behavior has a cause, just like for literally everyone. So if the character is being "unmanageable": maybe they aren't some cursed burden, maybe they're just stressed out of their mind and now someone they don't know that well is trying to do *something* to them, which they can't figure out because of their disability affecting their receptive language skills.

Section about resources when researching profound ID since some can be potentially misleading;

Even if you specifically look for causes of the profound severity of intellectual disability, you will get results for mild ID. That's mainly because people with mild ID make up >85% of intellectually disabled people and those with profound ID make like 1%, so they're a minority in a minority.

Basically:

Down syndrome is a very unlikely cause. It's always listed as the main genetic cause of ID but that's only true for mild and moderate severities. If you choose any of the common causes of ID make sure it actually has the symptoms you're looking for.

Most profoundly ID people will have either severe brain damage early in life (and thus can come with cerebral palsy), cephalic disorders (e.g. microcephaly), genetic conditions that you've never heard of (e.g. Pallister-Killian or Emanuel syndromes, 3p deletion), genetic conditions that you've never heard of because they don't have an actual name (e.g. X-linked intellectual disability-limb spasticity-retinal dystrophy-arginine vasopressin deficiency...), or just have it without a known cause. The last one happens much more often than people tend to assume.

For a reason I'll probably discover at some point, most disorders and syndromes that come with ID are said to have "autistic-like features" rather than being "comorbid with autism". In practice it's the same thing. Your character is probably autistic.

In the same way, a lot of practical resources will assume that ID = moderate ID (since most mildly affected need no or minimal support, and severely/profoundly disabled ones are a small minority) so pay attention if you're looking at the right things. If it's talking about having a job then you got clickbait'd.

One good resource I can recommend is SBSK (which I shared before), to my knowledge this is the only place that interviews severely and profoundly ID people (+their families) and the interviewer is great at actually interacting with many of them. Most resources on the practical things only ever talk about caregivers (who are very important) but completely ignore the actual person being cared for which IMO kinda defeats the point.

I hope this helps!

mod Sasza

[frogaroundandfindout]

I used to give the 'lazarus pit madness' trope for jason so much shit unless it was a REALLY good fic that did something interesting with the idea. But the more I read of pre52 red hood the more I'm just like "yeah no I have absolutely no idea how I'd reconcile all this heinous shit he's done without finding a way to make it not his fault actually"

I hate the 'jason was always a monster and bruce couldn't save him' nonsense so much, he was literally just a homeless little boy. MY BUDDY LITERALLY WILLINGLY WENT BACK TO BEING HOMELESS BECAUSE HE DIDN'T WANT TO HURT PEOPLE FOR MA GUNN EVEN THOUGH IT MEANT GIVING UP FOOD AND SHELTER AND DECENT TREATMENT

jason sweetheart I'm so sorry dc butchered you like this my god

When the characterization is so inconsistent the fandom has to resort to literal magic to explain it.

But seriously, I haven’t read a whole lot of Jason as Robin but from what I did read he was so tiny and just wanted to do good. It’s a disservice to every character involved for Bruce to adopt him because he thought he’d be a criminal otherwise. It implies Bruce thinks of every kid living in poverty as a shoe in for crime and not as some of the most vulnerable individuals in low SE areas. Which is just…so bad considering he’s 1) a rich white man stereotyping a large group of people and 2) someone that fights crime because of an act of violence commited in front of him as a little boy. A Batman that doesn’t believe in the goodness of a child (especially one like Jason who, like you said, gave up basic necessities for the sake of his morals) and protecting it in a way he wasn’t protected is a very very weird Batman to me. So it turns Bruce into a white knight and redhood into confirmation of Bruce’s stereotyping and paranoia.

If it was just Jason thinking that’s why Bruce took him in it would be a completely different animal. I might have even enjoyed reading about how Jason rationalized their changed relationship after he came back swinging (literally) and thinking that it’s some innate characteristic about him that drove the wedge between him and Bruce before he even realized it was there. But it’s very much not just Jason. EVERYONE. FUCKING. SAYS. IT. And tbh that kinda ruins everyone just a bit in my eyes. If not agreement and support for Bruce’s bs, they’re at least silently complicit in perpetuating it.

But beyond that, it also makes me think of Devin Grayson’s run where she kept talking about how dick was “meant for crime” or would have obviously been a criminal if it wasn’t for Bruce. This was built on frankly awful stereotypes regarding Romani people. I bring this one up because the combination of the two does not make Bruce look as good as the writers seemed to think.

But if we ignore the bs involved and take the reason for Jason’s adoption at face value, I think it offers an interesting comparison between him and Damian. Jason is presented a child destined for a life of crime who eventually became one of The Villains despite Batman’s efforts. Damian was an heir destined for crime who eventually became one of The Heroes because of Batman’s efforts. Idk it’s just interesting to me.

[hyba]

Thanks for this addition!!!!! 100% agree with you with regards to how important tension is to horror; it's practically 90% of the story sometimes haha. I also thought that eliminating the threat of a 'bad ending' and giving the reader that confidence that all would be resolved and the protagonists/characters will be alright in the end, might make horror more of a cozy experience.

I was actually talking to someone today and brought up how maybe liminal space horror could also be cozy horror to an extent? Not the kind with a full-on monster stalking you I guess, but just the idea of being stuck in a liminal space setting and trying to escape. Some games have done this in such a way that you're exploring these spaces, and they're scary and unsettling, but at least you know that nothing's going to jump out at you; no monster truly lurks beneath the water, or in the dark shadows. It's all just unsettling but harmless. And at some point you can (hopefully) find your way out and not walk the 'backrooms' forever. High stakes, no real danger.

(So, like you said, the feeling of safety is I think a critical element - but that brings me back to the idea of fiction being fiction, and doesn't that by extension create a feeling of safety on its own for the reader, because none of it is real? Or maybe I'm going too far lol XD)

In that case, off the top of my head, these are the kinds of stories that would become cozy horror by that definition (no bad ending):

The Conjuring (2013)

Get Out (2017)

Dracula by Bram Stoker

(As an aside, the issue with readers knowing that nothing bad will happen in the end kind of negates the way in which horror works through the use of the unknown and reader uncertainty, at least in part.)

I'm not sure if I'd group the horror experience of all three as similar, and I'm not sure that they have similar amounts of tension. But the stakes are all essentially the same: soul/self (damnation/loss of self). Relatively high stakes lol, but they have good endings... I wonder?

In my head, the way that this idea of cozy [genre] works is we actually remove the stakes in the story, because they're there, but we're signalling to the reader that the main character(s) aren't really going to have to deal with those stakes much, and will overcome them regardless of what's thrown at them. So, you have stakes, but you don't really have stakes, if that makes sense. So, you can have high stakes, too, like in horror, because you don't really have stakes; the characters will prevail.

I also wonder, how much of a 'good' ending would qualify something as a cozy horror? And what about stories with bittersweet endings, like The Others (2001), where the revelation at the end is like "Oh, okay, so they're actually safe, nothing's wrong, but that's because they're the ones who are doing the haunting"? It's a relatively good ending, but also not quite the good ending we're expecting.

Apart from that, if we consider other cozy genres, like cozy murder mysteries, it usually takes place in small towns, with average-joe 'detectives', both of which carry over to horror really well. Lots of horror is in a small, limited space like a small town, and lots of horror features protagonists who are just normal people thrown into terrible situations and having to claw their way out of them. The upbeat-uplifting tone of cozy mysteries, however... I think it would be interesting for sure to try and apply that in horror. It might come off sounding ironic, perhaps even play into comedy horror a little, too.

I haven't read any SCP stories or House of Leaves, but I've been meaning to for some time now. Maybe after I finish my current read!

Cozy Fantasy and Why It Doesn't Work

I think I am among many who feel like they should love cozy fantasy and have found it an incredibly lacking genre.

This newly branded "cozy fantasy" genre that has taken readers by storm since 2020 and while it is new that books are now marketed as cozy, the genre itself isn't new. Howl's Moving Castle by Diana Wynne Jones is a great example of the genre before it was labeled and also how to make it work.

Cozy fantasy is defined by many as fantasy with low stakes. Fantasy aesthetic but less sword fights. On paper, it sounds great. But the execution has been less than stellar for readers like me. The lack of physical stakes has also impacted the emotional stakes of these books, creating forgettable characters with boring problems. As a romance reader, I find this frustrating. Romance is known for being a predictable and formulaic genre, the now defunct Romance Writers of America defined romances as needing happy endings, a term romances have continued to follow. Yet these romance texts manage to have low physical stakes (how to date your neighbor, how to confront your toxic friends, etc) while still maintaining high personal stakes that keep readers invested and begging for more. So I was initially confused why cozy fantasy authors struggle to write texts that connect to readers like me.

I think I have found the answer which is the genre is just here for vibes. It is all about aesthetic, not even worldbuilding that fantasy is known for as most cozy fantasy I read have so many problems as soon as you ask one question. It is hard to acknowledge that a genre that is pitched to work for readers like me doesn't work for many of us. Especially because occasionally there is one that works beautifully to my taste.

I often say my favorite cozy fantasies that are more contemporary are short and visual, which I plays into the idea of the genre being an aesthetic. The Bakery Dragon by Devin Elle Kurtz is a good example because it is a simple story that is given the perfect amount of pages and gorgeous visuals without dragging on when the message is very clear and easy to understand. Books like The Phoenix Keeper and Legends and Lattes have absolutely nothing for me, their very clear message hitting the reader over and over so the readers don't miss it and focusing on the aesthetic of worldbuilding rather than the reality of the fantastic elements within the world.

I guess my point is. . . I realize this genre isn't for me since I have realized it is more of an aesthetic than anything. .. .but I want it to be. Should I let it go and put my efforts elsewhere? Or should I keep exploring this new trend and find the hidden gems?

[rxmxa]

mars + competition 😛

I was watching The Nanny the other night and Fran is soooo Leo-coded, specifically Venus and Mars. But what really stands out to me is her Leo Mars energy, especially in how direct she is in romance. Like when Mr. Sheffield hinted that she probably wasn’t that great of a kisser, and her response was to push him onto the couch and make out with him LMAOOOO. That Leo Mars pride was not about to let him get away with that comment 😭. She’s also THAT girl with her outfits, the bold colors, the fur, the way she commands attention without even trying.

But the real reason I see her as a Leo Mars is because of how others, especially women, would get jealous of her. Mars represents competition. It’s not just how we fight but also how people will try to compete with us and where they’ll aim their jabs. For Fran, her outfits were always a target. People would call them too much, too flashy, or even cheap. But it wasn’t really about the clothes. It was about how effortlessly she managed to shine and attract attention, especially from men.

Your Mars sign and house can give you hints about where people will try to strike, thinking it’ll hurt you the most. For Fran, her Leo Mars energy made her shineeee, stand out, and command attention in a way that had the other girlies shook. But what made her unstoppable wasn’t just the way she would shine. It was her response (and thats how you use your mars energy purr). She stayed unbothered. Every insult, every jab just seemed to only make her smile bigger and come into the next scene with another amazing coat.

but thats the thing with Leo Mars energy. People will get jealous when you’re complimented on your creativity, your personality, or just how you light up a room. They’ll make comments like, “You’re overdressed,” (leos are the ones dressing up just to sit in living room for thanksgiving lol) or “I don’t know what they see in her.” but we know that when people look at your mars energy and youre using it to your full power what they actually mean is “I wish I had that energy.” Fran’s entrance into any room or scene would have people turning their heads or some characters looking her up and down lol. And then she’d smile even bigger double down on her charisma and leave them maddddd

She also got hate for how much the kids loved her (aka Leo energy, tied to the fifth house, rules children, creativity, and joy, and Fran embodied all of it). The kids adored her because she treated them with warmth, humor, and genuine care, and that just added another layer to why people couldn’t handle her shine.

Mars placements are fascinating to look at because they don’t just show us how we fight. They show us where people will try to provoke us and where they hope we’ll embarrass ourselves. With Leo Mars, when your pride gets bruised, the instinct is to react. You want to throw a a big ass fit, prove your point, and make sure everyone knows they shouldn’t have said or done that to you. and yes sometimes when we show out it might work but only STRATEGICALLY. other times? It’s just embarrassing. I say this as a Leo Mars myself because when I was younger i would loseee it 😭. And looking back, I know that’s exactly what they wanted bc it gave them a reaction and therefore power over me. They wanted me to lose control, and I gave them the show they were hoping for.

That’s why Mars placements require strategy. You have to understand how your Mars energy operates and when to lean in or pull back. One of my besites has a Taurus Mars and her energy looks totally different. Taurus Mars people value comfort, stability, and high standards. They know what they like and they won’t settle for less. But that’s exactly where people will poke. Her family will make comments like, “You’re so bougie,” or “Why are you being so picky?” And those aren’t harmless jokes. They’re calculated comments aimed at making her question herself bc in a way with our mars ppl know it can land. But the best response for my bestie as a Taurus Mars is to double down. Own it. Stay firm. Keep being picky and valuing quality because those comments are just projections.

Another friend of mine has libra mars. Libra is ruled by Venus as well so her Mars (similar to taurus) energy shines in relationships, beauty, and aesthetics but in a diff way. But because of that, people always have something to say. They’ll comment on how much time or money she puts into her appearance or nitpick her relationships like they have a say in them. But Mars in Libra thrives in those areas. The best move isn’t to shrink back. It’s to lean in. Show up in the most flawless outfit, invest even more in her beauty rituals, and let them deal with their own envy.

The key with mars is knowing your own triggers so you don’t let just anybody have power over you. in my random mars observations post I had said “Overall, we know that the sign and the house our mars is in are themes of the martian we have to deal with on a daily basis. we must recognize that there may be more conflict in those aspects of our lives, and we must decide if we will let it overwhelm us and devour us with rage and frustration. Or if we are going to dive in already using our expertise and previous experiences and being selective about where we are going to devote our energy.”

For example: For Gemini Mars, competition often comes through communication. Arguments, debates, or gossip can become battlegrounds, and if Mars is in the third house, this might show up with siblings or in their immediate environment. Cancer Mars might experience conflict with family members or within their home life. Emotional manipulation or guilt-tripping can be common ways people try to compete with them.

Libra Mars faces challenges in relationships. People might criticize their romantic choices, comment on their appearance, or undermine their peace. The trick for Libra Mars is not letting those opinions throw them off balance. Leo Mars often faces competition through their ability to shine. People will call them too flashy or accuse them of being attention-seeking, but this usually comes from envy. The best response is to keep showing up confidently and unapologetically.

Mars in the sixth house often faces challenges at work. Coworkers might test their patience or try to undermine them in small ways. Mars in Virgo has a similar energy, but their competition often comes from within too. They may struggle with perfectionism or worry about their health (making self-care essential.. protect that skin, gut, mental health!!)

Mars in the 10th house feels the pressure in their career and public image. They might deal with judgment, high expectations, or criticism from others and themselves (my former coworker quit a job bc the girlies were MADDD and hating on her which I understand but she should’ve went harder to shitttt on them). Mars in the 11th house, or Aqua mars, often faces competition in social settings or group dynamics. They might feel excluded or like they don’t fit in, but their strength comes from staying true to their individuality (and that is what attracts the right people). Scorpio Mars or Mars in the 8th house and people might try to compete in more subtle but super manipulative ways like pushing your boundaries or making backhanded little comments to see if you are giving into their power plays. or people compete to the point where they are obsessed with you. they could try to use secrets against you (the type to have ppl ask around for dirt on you). but instead scorpio mars/ mars in the 8h (DONT CRASH OUT IK U WANT TO) but stay calm, smile in their face, pretend you don’t give a fuck. They’ll be thinking “Why isn’t this working?”

But anyhoomsttt that is really what works for me with Mars energy. Whether it’s Leo, Taurus, Libra, or any other sign, Mars isn’t just about raw action (obviously we know it can be and sometimes in has to be) but for the most part It’s about playing smart. Sometimes it means showing out, sometimes it means standing firm, and sometimes it means being so deeply comfortable in your own energy that other people can’t stand it. and they can stay mad ❤️